A friend drops their plans when you're in trouble, shares joy in your accomplishments, feels sad when you're in pain. A friend encourages your dreams and offers advice--but when you don't follow it, they still respect and love you.
It's a difficult truth to face that some people choose to define themselves by the pain they feel or the wrongs they've suffered. They're not going through hard times so much as making all times hard.
I feel like it's always important to curl your eyelashes. I always do when I wake up and you know you look tired, when you curl eyelashes and put mascara it makes such a huge difference, so that's the trick that I always use.
'Star Wars' came out when I was seven. It was so different from anything else, like peeking into the land of Oz. All you wanted to do was see it again and go back and see more of it. That feeling is not easy to reproduce.
When I got to college, I was intending to study film. But I found that my brain was feeling mushy, so I took a few math classes. I started doing really well at them, and solving equations was this, like, drug rush.
I'm a yarnaholic. That means I have more yarn stashed away than any one person could possibly use in three or four lifetimes. There's something inspiring about yarn that makes me feel I could never have enough.
I was always curious about the anxiety a person would feel when you open your mouth and you have an accent. You could have a Ph.D. or be a lawyer, but as soon as you say something, you may be diminished in the eyes of someone else.
As with companions so with books. We may choose those which will make us better, more intelligent, more appreciative of the good and the beautiful in the world, or we may choose the trashy, the vulgar, the obscene, which will make us feel as though w...
I'd get more applause than some because I was just seventeen. If they didn't clap at the end of my act I would limp off stage and boy would they feel guilty. They would all burst into tremendous applause as they saw this poor cripple kid walking off.
The whole body reacts to color. If you were to walk into an all-neon-pink room, it would be difficult not to react. I think it is a unified, human thing to feel color with everything. It is like standing next to a bass speaker plugged into your eyeba...
Once I get over maybe a hundred pages, I won't go back to page one, but I might go back to page fifty-five, or twenty, even. But then every once in a while I feel the need to go to page one again and start rewriting.
I still take photographs for my own use, personal studies. I do not feel that I can fully express my views through the medium and this is why I have moved towards painting.
Sometimes, it is necessary for me to step back from my emotions and my life. I need to be the outsider looking in, sitting in the objective chair, as a witness. As opposed to being so entangled in my feelings, that they become a noose around my neck.
Jacques Derrida is a very important thinker and philosopher who has made serious contributions to both philosophy and literary criticism. Roland Barthes is the one I feel most affinity for, and Michel Foucault, well, his writing influenced my novel, ...
I think the suicides in my first book came from the idea of growing up in Detroit. If you grow up in a city like that you feel everything is perishing, evanescent and going away very quickly.
I'm proud of the way I've dealt with setbacks. It's hard when you feel down and you think, 'Why is the world doing this to me?' But you have to pick yourself up again. That's what makes you a better athlete.
I always kind of aim with the action stuff to make it feel like, as an audience member, you're experiencing what the people are experiencing. As soon as you go into slow-mo or repeated edits, shooting it like it's a stunt, it takes it out of that rea...
I no longer have the energy for meaningless friendships, forced interactions or unnecessary conversations. If we don’t vibrate on the same frequency there’s just no reason for us to waste our time. I’d rather have no one and wait for substance ...
There's a tendency, when you're directing yourself, not to give the performance as much care, because you feel like there's too much focus on yourself, or that all these people are just standing around setting everything up, waiting for you.
In looking at Hollywood and its structure, the director controls the medium, and I want to be in control of certain things. I want to be able to get my own ideas and my own feelings out there, and the only way to do that is to be behind the camera.
I feel like I'd like to continue putting out records and start putting them out more rapidly than I have until now and for me if I can keep selling the records to the fans that already like me that's fine.
