Chekhov directors and Chekhov actors love working on his plays because there seems to be no end to what you can find out about the micro-narrative when you're investigating a text.
I just wanted to be a composer; I became an actor by default, really. I got a scholarship to a college of music and drama, hoping to take a scholarship in music. But I ended up as an acting student, so I've stuck with that for the last 50-odd years.
In Evita I wasn't really hugely involved with it. I gave a little bit of help but they needed a bit of technical help on the movie and so some of my music people went in at the end of the movie and helped out with it.
I just start playing music and eventually I sing something, a line of a verse or a B section or a line of a chorus, and the line that I end up singing is related to the music I'm playing, if that makes any sense. And I go from there.
Ultimately, at the end of it, it's just trying to get into that space where you feel like you're hitting the right thing and you're making music. And it feels intuitive rather than being counterintuitive.
I don't think music is my job - I don't think about it that way, because I don't really get paid. There's no paycheck at the end; it's more of a 'whatever is left over' kind of situation.
I want to choreograph, I want to direct, I want to act, I want to write music, I want to play music, I want to sing. For me, it's never-ending. I want to do it all, really.
I was a kid at the end of the 1960s and in the early 1970s, so a lot of things changed. You had pop music coming up, with David Bowie, you had new television programmes and all these things. I was fascinated.
Acting was always something I loved doing, but I didn't know that I would pursue it professionally. I really loved doing plays at school, but I was in a rock band and ended up going to a school for music.
If you're writing a piece for the Boston Pops, the balance is towards one end. If you're writing a piece for a chamber music society, then it's towards another point. I won't make a final answer on that. I think it changes with every piece.
It was very satisfying knowing I could come in not really knowing what I was going to do, and at the end of the session feeling that I'd really done interesting guitar work and knowing that I'd really contributed to the music.
The way popular music is categorized and formatted cuts down on everyone's options. And although people don't talk about it, there are a lot of issues of race determining musical categories of what's rock, R&B, or even folk. It ends up restricting cr...
I broke down while at Oxford, was rejected by a record number of medical tribunals during the War, and finally got permission to leave Oxford and do civilian work till the War ended.
Medical need is an infinitely expandable concept. There is always one more marginal procedure that can be done. There is no end to the medical and surgical treatments that a technologically sophisticated and advanced society can give to aging bodies.
I have an orthopedic pillow that's made out of a sponge material. I have a plate in my throat, and I have to be careful or I could end up with a bad neck in the morning. That pillow is a must everywhere I go.
The majority of them give the impression of being men who have been drafted into the job during a period of martial law and are only waiting for the end of the emergency to get back to a really congenial occupation such as slum demolition or debt col...
Meanwhile, our young men and women whose economic circumstances make military service a viable career choice are dying bravely in a war with no end in sight.
I've never played a character where I've had so much fun on the physical end. I don't want to say I like it too much but it's fun having a gun on you and getting to manhandle men.
It is true that men themselves made this world of nations... but this world without doubt has issued from a mind often diverse, at times quite contrary, and always superior to the particular ends that men had proposed to themselves.
I was very influenced by the musicals and romantic comedies of the 1930s. I admired Gene Harlow and such, which probably explains why, since the end of my marriage, I've dated nothing but a succession of blondes.
For it is mutual trust, even more than mutual interest that holds human associations together. Our friends seldom profit us but they make us feel safe. Marriage is a scheme to accomplish exactly that same end.
