People think when you get a record deal all your problems will go away. We know that the bigger we get, the more problems we'll have. I guess Puff Daddy was somewhat - what's the word? - prophetic in that respect.
Pure phenomenology claims to be the science of pure phenomena. This concept of the phenomenon, which was developed under various names as early as the eighteenth century without being clarified, is what we shall have to deal with first of all.
I've been dealing with the press for 45 years. You need a very long spoon to sup with them. While you are always grateful, they are like badly trained dogs. They smile and wag and bite your arm off.
If I had a personal wish for the new ideas in this new book it would be that every parent, every counselor, every teacher, every professor, every sports coach that deals with young people would understand the three circle concept.
After my first 'Sports Illustrated' cover, I felt terrible about myself for a solid month. People deal with models like they are children. They think they can pull one over on you. I'm not a toy; I'm a human. I'm not here to be used.
If I'd just been interested in record sales, I would have taken one of the deals I was offered after 'Soapstar Superstar,' made a quick covers album and probably had some success for five minutes. I decided that wasn't for me.
At one point in time or another, everyone's an outcast, and you have to deal with those sort of issues in society. Especially for teenage kids, I don't think there's anyone that's really been through childhood and not been an outcast in one way or an...
Drama lives on conflict. If you're trying to deal with social issues seriously, there's no way of avoiding violence, which is so present in society.
There's the constant concern with what happens to you when you die. Every society thinks about that and makes things to deal with that.
When I was about 13 or 14, I had an English teacher who made a deal with me that I could get out of doing all of the year's regular work if I would write a short story a week and on Friday read it to the class.
I love the incredible variety of demands directing makes on you, from the entrepreneur to the hustler to the deal-maker to the writer; to directing actors and the camera and working with music, sound, marketing and promotion. It uses so many sides of...
Now, performing is second nature and I love every second of it. It is a very emotional thing when I can't play a song; maybe I'm hitting on something that I don't want to deal with. All of it is so personal. It is like therapy.
I realised that the only time I really enjoyed music was when I was in the studio writing. So even though it was a six album deal, they saw quite early on that I wasn't enjoying it as I should be. I didn't feel there was anything behind it.
The kind of music I'm dealing with is more a long-term music. Sometimes a little discourage runs along on your thought, but I am here to push it back. Discourage is a sign of weakness, and I don't like to be weak.
Music deals with time and timing. It's so magical, but when you get into it, every little sound and every little space between the sounds, it's critical, so critical. And if it's not there, it not only feels wrong, but it ruins things.
I started speaking about what I was dealing with through my music, and 4 million women responded and said, 'Us too, Mary.' And I didn't know that everyone was hurting like I was hurting. I had no idea.
This is just strictly me wanting to make a record that is the real deal. It is all the stuff that I have learned and know that I remember. It's what I perceive as country music is about.
My poor vision gives me a soft-focus morning. For the first half hour, I kind of wander through my house, and everything is a blur. I put my contacts in when I'm ready to deal with the world.
A lot of people say they want to get out of pain, and I'm sure that's true, but they aren't willing to make healing a high priority. They aren't willing to look inside to see the source of their pain in order to deal with it.
People don't know what they are doing most of the time. They don't know what they want. It's only in 'the movies' that they know what their problems are and have game plans to deal with them.
The first thing I learned about weapons is respect, and that carries into movies as well. If you're on set and you're dealing with weapons, live or not, you respect the weapon; you know how to handle it appropriately.
