I don't have a development deal, but the one thing I have learned is never say never. I will consider things as they come.
I don't say that the supposed Civil Rights development is a myth, but it's a matter of dealing with reality. It's purely peripheral and, in many cases, it's just a facade.
Even my parents are so cute, and they deal with every movie of mine excellently. They check with me ever so casually by asking 'Now how much of nudity are we going to see in this one?'
One of the crises that we have to deal with is a crisis of law enforcement officials that are not physically capable enough to handle without taking out the gun.
For most men, at the very least, sex is a daily deal. Men need to come. If they aren’t doing it with you, then they’re doing it with themselves – or worse, with someone else.
There will always be nations. The United States will last a long, long time, I believe. France and Germany and Japan, China, other nations, they're going to exist. But they're losing their significance and ability to deal with certain matters.
The thought of someone spending $20 to come and see me and saying, 'Oh, I prefer the record and she's completely shattered the illusion' really upsets me. It's such a big deal that people come give me their time.
I feel like I am a celebrity for no reason, like people are resentful I didn't have to play bars for 10 years to get a record deal.
At the end of the day, acting is all about telling lies. We are professional imposters and the audience accept that. We've made this deal that we tell you a tale and a pack of lies, but there will be a truth in it. You may enjoy it, or it will distur...
Most of the book deals with things we already know yet never learn.
My best business decision was to be independent as a musician and artist. My worst was compromising on certain aspects of a deal for the sake of other members of my group when I shouldn't have, because I was right in the end.
I used to a play a role-playing game called Dungeons and Dragons, and that was about levels of experience; as you gained experience, you were able to deal with much greater and far more kind of global creatures.
I had some experience in dealing with people who have mental illness and depression, but I didn't see the signs in myself. I couldn't ask for help because I didn't know I needed help.
Directing is a more pragmatic experience, where you have to deal with the restrictions of time and money that force you to make certain decisions you don't have to make when you're writing.
I love the experience of getting to direct because I can have all of the fun of helping shape the show, but I don't have to actually do it, so I don't have to deal with the nerves.
Some writers can only deal with childhood experience, because it's complete. For another kind of writer, life goes on, and he's able to keep processing that as well.
The nice thing about the Bible is it doesn't give you too many facts. Two an a half lines and it tells you the whole story and that leaves you a great deal of freedom to elaborate on how it might have happened.
I spent a great deal of time with Che Guevara while I was in Havana. I believe he was far less a mercenary than he was a freedom fighter.
But when you lose a family member or something tragic happens, that stays with you forever. You never get over it. Knowing that you have to deal with that for the rest of your life... Football is important, but not as important as you once thought it...
It's so funny how my name has always been such a big deal. When I was growing up, my family was always moving. I had to meet new people all the time. And they'd laugh.
My family is out of the ordinary in our physical lifestyle and the day-to-day things that we deal with, but my approach to them is pretty rational and sound. And I'm the quiet one! It's very different from my performing life.
