If I can write a book that will help the world make a little more sense to a teen, then that's why I was put on the planet.
If you were an optimistic teen, then you'll be an optimist at 80. People's reactions to bad events are highly stable over a half century or more.
I write edgy, sexy teen romances, and that's what I'll continue to do.
Dave Moss: Cop couldn't find his dick, two hands and a map.
Jimmy: We bury our sins here, Dave. We wash them clean.
Dave: Neighborhood needs a fucking crime wave. Get property values where they belong.
Dave: Walk this way. Simon: Don't walk that way! 'Young' Carl: I'm just gonna... Simon: Walk woodpecker way.
Dave Toschi: Suspect's negro male adult, who also happens to be a stocky, crew cut caucasian.
I think our relationship with Epic had run its natural course, and it happened to coincide with the fulfillment of our contract. We decided not to resign with them.
When I speak of 'cycles,' I am referring to lengthy intervals of relative homogeneity, if not in the resolving of problems, than at least with respect to the consistency of their capacity to productively irritate.
It's important for me to treat a girlfriend with respect. My mum would be horrified if I behaved any differently - and I have sisters, and would hate for them to be treated badly by guys.
I try to be grateful for the abundance of the blessings that I have, for the journey that I'm on and to relish each day as a gift.
Every St. Patrick's Day every Irishman goes out to find another Irishman to make a speech to.
I'm excited to join my brother-in-law Ken Thomson every Tuesday night on SiriusXM to recap all of the awesome NFL action, and to find out what in the Wylde world of sports is going on.
Technology is huge; I wanted to learn about it. People might say that's odd, but I think it's odd if artists aren't interested in the world around them. I'm always chasing that.
It's big production. It's huge. It's using studio technology to your benefit. You don't go in and play live and then just take the tapes and get them mastered. You have to create.
Historically the director has been the key creative element in a film and we must maintain that. We must protect that, in spite of the fact that there is new technology that's continually trying to erode that.
Mostly I've never let record companies become involved with my music, which was a very smart thing that my first manager Dave Robinson did, to keep them out of it.
I can see that if this was an album done 10 or 15 years ago we could see we were moving on to some place else.
One of the problems I have with a lot of movies these days is that everything is too well lit. In the world of digital creations there is a tendency to show too much.
When I started writing, there was nothing about zombies. It was all teen movies, which to me are scarier than zombies, but that's another story.