[from trailer] Khan: Your are a pawn, Kirk. You can't even guarantee the safety of your own crew. Now, shall we begin?
[first lines] Bones: Damn it, man! That was our ride! You just stunned our ride! James T. Kirk: Oh, great.
Khan: I can save her. Thomas Harewood: What did you say? Khan: Your daughter. I can save her. Thomas Harewood: Who are you?
[from trailer] Khan: Your commanders have committed a crime I cannot forgive. None of you are safe. Have I got your attention now?
Scotty: [Kirk and Bones return to the Enterprise on Nibiru] Do you have any idea how ridiculous it is to hide a starship on the bottom of the ocean?
Ben Obi-Wan Kenobi: For over a thousand generations, the Jedi knights were the guardians of peace and justice in the old Republic... before the dark times... before the empire.
Vladislav: Leave me to do my dark bidding on the internet! Viago: What are you bidding on? Vladislav: I am bidding on a table.
No one will remember that President Obama supported the Arab Spring if it eventually fails and the region collapses back into the political Dark Ages. If we actively engage these movements with advice, with money, and, when necessary, with military f...
I like playing characters who are fractured, broken. I find that more relatable, for some reason. I don't feel that I'm like that myself by nature, but there's just something that you can really grab hold of if people have a darkness in them, I think...
'Little Night' has layers of meaning. There's something enchanted about night. All those heavenly bodies, shooting stars, the crescent moon, celestial phenomenon. Owls fly at night, and first kisses happen. Night is romantic. Alternately, darkness hi...
Have we not come to such an impasse in the modern world that we must love our enemies - or else? The chain reaction of evil - hate begetting hate, wars producing more wars - must be broken, or else we shall be plunged into the dark abyss of annihilat...
Dance with a girl three times, and if you like the light of her eye and the tone of voice with which she, breathless, answers your little questions about horseflesh and music about affairs masculine and feminine, then take the leap in the dark.
I did a couple songs with this hip-hop guy named Tim Dark. He was working in the same studio I've been working in, he heard my music and he said, aw man, I've got to do something with you.
People sort of imagine Chris Morris and me sitting somewhere dark, with dripping taps and chilling background music. In fact, we like to sit on his roof in the sunshine - and there's an endless amount of just sitting there, going, 'So, erm, er, what ...
Over a spell of about three years, I played a series of roles that were, for me, all very different, but most of them came out within a six-month period. They all dealt with a kind of dark territory that in some cases had been mined before in movies.
We don't make movies for critics. I've done four movies; there's millions upon millions upon millions of people who've paid to see them. Somebody likes them. My greatest joy is to sit anonymously in a dark theater and watch it with an audience, a pay...
Ash: Klaatu Barada Nikto. Wiseman: Well, repeat them. Ash: Klaatu Barada Nikto. Wiseman: Again. Ash: I got it, I got it! I know your damn words, alright?
Sheila: But what of all those sweet words you spoke in private? Ash: Oh that's just what we call pillow talk, baby, that's all.
[when Sheila walks into the blacksmith's shop to talk to Ash] Ash: What? Were you raised in a barn? Shut the door! Probably was raised in a barn, along with the other primitives.
Ash: London bridge is falling down, falling down, falling doown! [steps on a nail held by the mini Ashes] Mini Ashs: My fair lady ha!
Ash: I know you're scared; we're all scared, but that doesn't mean were cowards. We can take these skeletons, we can take them, with science.
