When I write, I am not giving a lecture, I am speculating on behavior. Sometimes this is dangerous, but it should be. As I say often, theatre is a dark place and we should keep the light out of it.
Man screams from the depths of his soul; the whole era becomes a single, piercing shriek. Art also screams, into the deep darkness, screams for help, screams for the spirit. This is Expressionism.
I can see, and that is why I can be happy, in what you call the dark, but which to me is golden. I can see a God-made world, not a manmade world.
Unless we form the habit of going to the Bible in bright moments as well as in trouble, we cannot fully respond to its consolations because we lack equilibrium between light and darkness.
I write in longhand and assemble lots of notes, and then I try to collate them into a coherent chronology. It's like groping along in the dark. I like writing and find it challenging, but I don't find it easy.
So is the savage buffalo, especially delighting in dark places, where he can wallow in the mud and slake his thirst without much trouble; and here also we find the wild pig.
The ancient commission of the writer has not changed. He is charged with exposing our many grievous faults and failures, with dredging up to the light our dark and dangerous dreams for the purpose of improvement." [ ]
For the most part, I've been influenced by black singers and singers I couldn't sound like. Whenever I tried to do a dark note or a bent note, I would just sound like Hootie And The Blowfish.
Hope is born in the dark. Like a lighthouse calling out to a lost ship at sea, hope will bring you through every personal storm. It is our encouragement and guide to safety. Hope is found in the arms of God.
Hope prevails in the dark. Like a lighthouse calling out to a lost ship at sea, hope will bring you through every personal storm. It is our encouragement and guide to safety. Hope is found in the arms of God.
Sound is often talked about in a very subjective way, as if it had a colour. This is a bright sound, this is a dark sound. I don't believe in that because I think that is much too subjective.
I think I might be one of the only people in America, or at least the only person I know, who saw both 'The Dark Knight' and 'Mamma Mia!' on their shared opening weekend.
I can't think of a story that doesn't have something terrible in it. Otherwise, it's dull. So when I embarked into the world of picture books, my first thought was to do something about the dark.
Steam rising underneath a canopy of whispering, changing aspens; starlight in the clear, dark night, and wondrous beauty in every direction. If only all could feel this way, to be so captured and enthralled with autumn.
None of us can ever save himself; we are the instruments of one another’s salvation, and only by the hope that we give to others do we lift ourselves out of the darkness into light.
I went through two pretty dark years being fed up with the system and frustrated with my own party after two disastrous elections in 2006 and 2008.
I know that your soul is on life support and that you feel lost and like you’re completely spinning out of control, but you’re finding yourself — here, tonight… even in this darkness.
The most interesting thing about acting is when you go to the dark places, that's a lot of energy. When you go to the happiest places, it's also a lot of energy.
Darkness is a natural fear, one that takes the things you love most, the most valuable innocence, and turns them against you. The struggle is to see past the illusions, and see the light in your fear.
I went to see 'Star Trek Into Darkness,' and J.J. Abrams, who's a friend of mine, made this film, and I went to see it at the premiere. Believe it or not, I was really blown away by the comic timing of it.
We're supposed to love flowers, yet we rip them from their homes, and give them to people who don't love us." -Toril Withers (Dark Winter).
