I'm very interested in writing an actual series, that doesn't have too much to do with my music - a world I create that has characters in it. I'm just trying to get there by doing things that I want to do.
Cranking the Auto-Tune is so easy to do that there's almost no systemic resistance to trying it. So when someone's stuck for an idea, that's what they do. I mean, to the extent that it's been embraced by an entire idiom of club music and culture.
The ephemeral part of this work is that in music production, the sounds evolve so much faster than it used to, which means that you really have to put in a lot of work and effort in constantly designing the next sound that will move the culture forwa...
We don't really talk about music that much, to be honest with you. It's not some I usually - I can't really talk about other people's tracks never mind my own.
My talent is definitely a gift. I don't understand where it comes from. I don't play an instrument, and I never went to school for music production, but I know exactly how a song should sound and how to give an artist direction.
What I would argue in my defence is that shows like 'Britain's Got Talent' and 'The X Factor' have actually got people more interested in music again and are sending more people into record stores.
I think I'm the only singer who doesn't have a temper. The only time I got angry was at a music studio when I was made to wait for three hours without being informed about the delay in the recording.
Having that music around us all the time, it was so inspiring. But at the same time, I was a kid. I didn't pay attention to any of it. I'd get on the drums and hit them a few times, and then go outside and play.
Nobody has ever built a reliable peer-to-peer service, where people can really access all the music they want in one location,... Once I got it into my head, I couldn't imagine the media space without one.
If something doesn't work, you have to admit it. Always try to find what's going right and what's going wrong with your music. If you can, pool your resources and record yourself; do that frequently.
My goals are to continue acting and also to produce some independent films in the next few years. Music is a passion of mine, so I also want to continue along that path, creating with my friends.
I don't think I thought I was going to go into music, and I don't think it hit me until I was 13 or 14, and then I was gone. Just like that. At that point, there was nothing else that could keep my attention.
I was never really a DJ... I just kinda figured it all out at once as I started to tour. I was making music and producing and I just had to start to DJ as I got more into touring.
Some of the wise boys who say my music is loud, blatant and that's all should see the faces of the kids who have driven a hundred miles through the snow to see the band... to stand in front of the bandstand in an ecstasy all their own.
Because I was a dancer when I was a kid, I have so much empathy for these young girls who are so drawn to something lovely in music and in movement, and yet they encounter a world full of judgment and criticism of 11-year-old artists and bodies.
I'm 45 years old. I used to be a club girl, but that's not my world anymore. That doesn't mean I can't make music that excites. I think it's inspiring to see an artist you grew up with take another crack.
I've only been to Ireland once, and I felt I would wake up with voices in my head, almost like music, and that if I were a songwriter, I would be very inspired.
My parents were worried about me, certainly when I became so deeply interested in music and people like the New York Dolls who, at the time, were very peculiar indeed.
I didn't really see the British punk movement, if that's what it was, as wildly original, because I had been listening so intently to all the New York music since 1973, really.
I write a lot of music in my time off and I compose most of the songs on guitar. I've actually gone into the studio and recorded a few things, but it's tough trying to sell a song. It's all about finding that hook, that melody.
With a lot of action scores, you're competing with a lot of noise. Say there's a big explosion: the music would conventionally have a lot of Hollywood-style percussion or brass, because that's the only thing that will cut through.
