Cumbia is a beautiful rhythm. It's a music that has indigenous, African and European components. It's played in all of America - from Argentina to the U.S. It has mutated and been nurtured by everyone who comes across it.
I do look at songwriting as a lot of work. I don't over-intellectualize music as a special medium that only some people deserve to do. I think it's something you do if you put the work in.
With music, there's a conversation happening. You're hearing what's going on right now, with people's emotional states, in a communal way, and listening to that is really - it's both informative and so generous. It's like emotional news.
I went to see 'Listen to My Heart: The Songs of David Friedman.' I have been a fan of his music for years, and I was invited to opening night because I know one of the producers.
See my father knew a lot about music, he played the piano and he would do theory and stuff like that, but I didn't learn anything from him, but I played that for him and he liked it a lot.
In music you have people exposing this very vulnerable part of themselves, and you also have the lifestyle is so fast that oftentimes people search for whatever the easiest way to feel relaxed in the midst of all of it, or the easiest way to have ene...
I'm not trying to clock scores in this lifetime, it's just that things are better now than they were like five, ten years ago. Music has gotten a lot better. There's a lot of people who are committed to - soulfully.
The spiral in a snail's shell is the same mathematically as the spiral in the Milky Way galaxy, and it's also the same mathematically as the spirals in our DNA. It's the same ratio that you'll find in very basic music that transcends cultures all ove...
To me, a sex scene in a movie generally means a gratuitous scene that doesn't serve the story but gives a kind of excuse - we've got these two actors, we want to see them naked, so let's bring in the music and the soft light.
I think that technology has both introduced new sounds but also allowed an increasingly painterly approach to recording music as you can now paint over what you've done and more and more refine an existing performance.
For a long time, I would write without music, because I thought it was distracting until I appreciated that it actually unlocks a certain unconscious productivity vault in my mind.
In the '80s and '90s, I was really interested in, moved by, exhilarated by, and troubled by rap in all the ways a white person from Brookline, Massachusetts should be. That was music that was making trouble, and it was interesting and provocative tro...
The first thing I learned was the 'St Louis Blues' when I was eight. Both my grandmothers, my mother and uncle played the piano. This was post-war Britain, and they played boogie woogie and blues, which was the underground music of the time.
I began the process of recording myself seriously in the fall of 1999. If I could finish an album of my own music, I would. Five years later I am happy to say I have.
Acting was always something I loved doing, but I didn't know that I would pursue it professionally. I really loved doing plays at school, but I was in a rock band and ended up going to a school for music.
I'd hate it if everyone in the world liked me, my music and what I wore. It'd make it boring, and I wouldn't have anything to work towards. It's not to everyone's taste, but I can only be me.
But for the children of the poorest people we're stripping the curriculum, removing the arts and music, and drilling the children into useful labor. We're not valuing a child for the time in which she actually is a child.
Touring with King Crimson wasn't a lot of fun for me. I had a lot of equipment, and when I was in improvised music I'd set it up myself, play the gig, and put it all away again.
My whole career began because I was always putting my music on the Internet. By the time I had my first tour, I had an audience everywhere I went, because people were listening online.
Absolutely, I grew up listening to soul music. People like Stevie, Aretha, Ray Charles, Michael and Prince. My parents' record collection was all I had when I was a little kid. If it wasn't that, it was something else in their collection.
What I am looking for... is an immobile movement, something which would be the equivalent of what is called the eloquence of silence, or what St. John of the Cross, I think it was, described with the term 'mute music'.
