It seems like the record industry made so much crazy money in the 1960s that everyone wanted to get in on it. Now it's just become very corporate. So all of these people who despise music end up being in charge.
People have taken time out of their day and spent their money to come sit down at a concert. And it's jazz music-it's not easy for them to get to it. I don't want them ever to feel that I'm taking their presence lightly.
Some musical directors have more chutzpah. They pick up the phone and talk people into giving. I prefer to call and say 'thank you' after the money has been contributed.
There is nothing is more musical than a sunset. He who feels what he sees will find no more beautiful example of development in all that book which, alas, musicians read but too little - the book of Nature.
Organized religion and musicals present tenets to live by that don't entirely make sense but, on the whole, make people who believe them secure, thus giving an appearance of inclusiveness.
I have to have music playing constantly. It creates the tone and mood for anything you are doing. I specifically love rock, and Jimi Hendrix is one of my favorite artists. My favorite song is 'Red House,' because it's heavy on the blues.
If you don't have any ties to the music industry, you just love 'American Idol,' you can sit there and do exactly what you do in your living room, which is stare at them and judge them.
The music field was the first to break down racial barriers, because in order to play together, you have to love the people you are playing with, and if you have any racial inhibitions, you wouldn't be able to do that.
When my novel 'Beach Music' came out in 1995, I had included a couple of recipes in the book and had tried to impart some of my love of Roman cuisine and the restaurants of Rome.
Actually, I would love to make a music video. Maybe it would finally put to rest those persistent rumours that have followed me throughout my career - particularly when I was on camera performing - that I had died.
I'm a songwriter; that's where it starts. I love writing with someone that shares that same feeling of accomplishment. I'll play music for my fans as long as they'll listen, but I fancy myself as a writer first.
I think, for a love story, the most important element is the music, since you don't have action sequences or item numbers. It really draws in the audience and adds to at least 70 percent of the opening of the movie.
You know, I love plays. I love the smell of a theater. The old rooms and the carpet and all that stuff. I love to tell stories. Even before I was doing music, I saw myself as a director.
I love form, but I'm not interested in forms. I've never written a sonnet or villanelle or sestina or any of that. For me, it's a kind of line. It's a rhythm. It's something musical.
I'd always wanted to work in the studio and experiment with sounds. Things that I'm really influenced by and that I love are like The Beatles and Radiohead, and all those records by bands whose music is really involved.
I first saw 'West Side Story' on stage in 1958. I was in the army, having been conscripted while under contract to MGM. I caught the musical in New York, fell in love with it, bought the album, and memorised the whole thing.
I really, really love music. I'm affected by it and uplifted by it, and made to laugh and cry, and almost fall in love with the person who has made me feel so brilliant and communicated so profoundly to me.
I'd love to be on a TV series someday, but I believe you get the jobs that you're meant to get. If the job that I'm meant to get is another musical or another play or film or TV show, I'm just happy to keep working.
If you can show something as complicated as two people falling in love with just music and camera angles, well, just think about what you can do with football.
I can play punk rock, and I love playing punk rock, but I was into every other style of music before I played punk rock.
I guess the two Manifesto, Communicating Vessels, Mad Love, and some of his poetry made a significant mark on me but as far as bringing a literary element into the music I see it as a much broader assimilation.
