I really do love Diana Ross; I grew up listening to her records. I grew up in a little town in Mexico, so while we got the music, we never got the experience of watching her.
I know I have experience, having worked with the likes of legendary composers like Ilaiyaraaja. And, I've been long enough with my dear friend A. R. Rahman, and we've collaborated on several musical works. All this gives me confidence.
When playing any song in front of an audience, you're watching them experience it, and it changes. In a lot of ways, it's almost like the music is just the background buzz to what's happening between you and the audience in the room.
If we want to fight people in the world, we should fight them with pillows - pillows stuffed with food, medicine, music... That would be so much cheaper than bombs.
In our house we repeated the pattern of thousands of other homes. There were a few books and a lot of music. Our food and our furniture were no different from our neighbors'.
In World War II, jazz absolutely was the music of freedom, and then in the Cold War, behind the Iron Curtain, same thing. It was all underground, but they needed the food of freedom that jazz offered.
I love dive bars, old movie theaters, live music and good food. The simplest things in life for me are the most important.
No one really buys records anymore. You can look at sales and do that math real quick. Unfortunately, it's fast food in the music industry. People don't ingest full records anymore.
Music can also be a sensual pleasure, like eating food or sex. But its highest vibration for me is that point of taking us to a real understanding of something in our nature which we can very rarely get at. It is a spiritual state of oneness.
I always had a knack for improvisation. I can write down the notes I play, but never really had a proper academic musical background. I suppose I'm blessed and cursed by the fact I have that freedom.
I would say that as I've gotten older, I trust my intuition more; I allow myself more freedom both musically, creatively and my own life existentially.
I really wanted to make the worst thing: the thing that even people who liked bad, terrible music wouldn't like - the stuff that people would ignore, always. Something really, really stupid. Something that is destined for failure.
Big companies are like marching bands. Even if half the band is playing random notes, it still sounds kind of like music. The concealment of failure is built into them.
The last name is pronounced Jill-en-hall. It's spelled with two l's, two a's. We have a song in my family; G-Y-Double L - EN - HAAL spells Gyllenhaal. It's a Swedish name. It's a family heirloom set to music.
People in my family and camp who grew up listening to rap music love 'We Are Young.' I've heard it play at weddings. I've heard it in graduation parties. It's a big idea and big song.
I guess you could say I devoted myself so strongly to my music that for awhile I forgot about my family. But I only get one set of parents, and I think I forgot about that for a little while.
For me, making music is about my whole life. The basics, the components, simple things - family, living, just going to the market and getting new fruit and veg. That's what keeps my blood flowing.
That's the beauty of country music - you have to get out there and earn it and work hard. And when you're on the road with big name acts, you realize there's no easy way to the 'Promised Land' in this business.
Dante Alighieri is a universal poet, and great creators, they are writing for everybody always. Every single verse is very moving, and the beauty - if we don't understand, we just stay listening to the sound and it's like hearing music.
The thing that helped me get into the film business was that I went to school in Athens, Georgia and managed to get on, um, working on music videos for a band called R.E.M. and that kind of opened up a lot of doors for me.
But what you realise after you've been in the business for a while is that people develop opinions about you that don't have anything to do with your music, they like or dislike you for a million reasons, they like or dislike you for your last record...
