I listened to country music my whole life. I started writing music when I was a teenager. It all came out country.
I always felt a love for music, but I never got my nerve up enough to try a musical instrument in school.
I like doing music. I like singing. I love all music. Music kind of goes hand in hand with acting anyway.
I like all music. Well, I don't like music that was created to make money. I don't really like bands that don't write their own music.
I am such a music fiend. I go after so many different types of music. I'm on iTunes constantly just buying new music!
As hard as it is, as ghetto as it is, hip-hop is pop music. It's the sound of music getting out of the ghetto, while rock is looking for a ghetto.
I don't believe in an annual dose of film music for the sake of it being film music. If we program film music, it will be because there is a real artistic reason for doing so.
Country fans need to support country music by buying albums and concert tickets for traditional artists or the music will just fade away. And that would be really sad.
Do I listen to pop music because I'm miserable or am I miserable because listen to pop music?
Irving Berlin was the greatest songwriter of all time. I was in awe of him. But his music wasn't my music. My music was the blues.
I was feeling really restless in my hard-rock band. I wanted to learn more about storytelling in music, and that's what country music is.
One thing we have to remember as songwriters is that we have to consider that country music is the country's music. That doesn't mean that everybody's rural.
We want people to know that classical music is for everyone. A parent or kid might be terrified of this music, but after they come to us, they'll never be scared of classical music again.
My proposition is that music is at the heart of what 'The Magic Flute' means: that it's Mozart's music, not the words, we should be attending to. Music expresses what can't be expressed otherwise.
A lot of people think that the music was responsible for a lot of changes in the Sixties, but I think the music came out of it. The music wouldn't have happened without the social changes.
I am the princess of G.O.O.D. Music, the first lady of G.O.O.D. Music, the baby of G.O.O.D. Music. I'm kinda the spoiled brat right now. I could get whatever I want.
Someone like Russell Crowe is questioned for his passion for music, and whatever he does, music is just in his heart and soul. All he wants to do is music.
Amos Calloway: She likes music. Young Ed Bloom: [smiles] Music. She likes music.
Music, such music, is a sufficient gift. Why ask for happiness; why hope not to grieve? It is enough, it is to be blessed enough, to live from day to day and to hear such music-not too much, or the soul could not sustain it-from time to time.
My older brother was a musical prodigy, and he got a scholarship to the Bronx House Music School. We moved to the Bronx when I was 4 to be close to his music school. Then I got a music scholarship myself, at the age of 6, but that was for a school do...
In the 1960s when the recording studio suddenly really took off as a tool, it was the kids from art school who knew how to use it, not the kids from music school. Music students were all stuck in the notion of music as performance, ephemeral. Whereas...