I'm not like my siblings, who are musical but can turn their hands to other professions! I'd always wanted to be involved in music - I'm a great believer in doing things that fulfil you.
I think it's important for people who love music to retain physical CDs or even vinyl, because it sounds so great and so much warmer than music over the internet.
I think the music comes first, then comes the fashion, and thus, the lifestyle. I believe it starts with music, and then the person delivering it delivers the lifestyle, the fashion. Madonna is a great example of that.
People need to put my music in a perspective where they use other established artists from the past, and almost all the names I see related to my music are great musicians.
I also have a big love of classical music played on piano because this is the environment I grew up in my brother being one of the great masters in this world.
Music is like a really sacred, awesome thing. That first 45 minutes to two hours that you're on stage spending time with music every night is always really great.
I love everything, but I really love rock music. Incubus, Augustana, Nirvana, Chevelle, iHi-Hi-Fi, they're my really good friends.
One ends up relying on pure musical inspiration, and failing that, the music won't lead to anything good, or it will alienate all but the most die-hard fans.
You used to have to sing and convey emotion, and now, well, technically you can do anything with technology. It sucks for music today, but that's why that old music feels so good to me.
The imminent demise of the large record companies as gatekeepers of the world's popular music is a good thing, for the most part.
If there is a good musical reason, I think it might draw more attention and sell, though it is not guaranteed. To make a record without a musical reason, you have to either be a pop star who sells automatically or just be lucky.
It seems like pop singing has sort of influenced musical theatre in so many ways - you could argue good or bad, really - and musical theatre is written for that style so often, which is a completely different style.
What makes my approach special is that I do different things. I do jazz, blues, country music and so forth. I do them all, like a good utility man.
One always has to remember these days where the garbage pail is, because it's so easy to make sounds, and to put sounds together into something that appears to be music, but it's just as hard as it always was to make good music.
I think if we keep on doing good music and people like us and they buy the magazine because we are in the magazine then they cant basically hate us hopefully.
For me, if the music is good, whether the artist is famous or unknown, I love being part of the music and contributing what I can to the bass end.
Music is funny. I shouldn't even ever talk about music, because you can have all the ideas in your head, and it never goes exactly the way that you think it's gonna go.
The funny thing is, the music that I'm writing now is probably some of the most cutting edge we've ever done. The music that I'm thinking about putting on our next album.
Like all music, the figured bass should have no other end and aim than the glory of God and the recreation of the soul; where this is not kept in mind there is no true music, but only an infernal clamour and ranting.
My musical knowledge is so bad it's embarrassing. When composers discuss music with someone as primitive as myself, they have to talk about it in terms of senses and emotion, rather than keys and tempo.
I definitely want to do music for the rest of my life. So I just want to make sure that I'm doing music in the way that I feel is the way I need to.
