I began with dance, doing ballet at 3, then tap, jazz, modern. Then I sang in church choirs, learned how to play clarinet and drums, sang with rock bands and only then did I get into musical theatre.
Soulja Boy is on his dance, down south, young, 18-year-old, comedic swag. It's really just each person's personality; if every rapper had the same swag, it would be kind of boring.
I'm kind of well-known in Holland, which is nice. But in Holland, we're down to earth; there are no paparazzi in my garden and no autograph hunters at the door. We have 'Strictly Come Dancing,' but I've not been asked.
I just think something about being in front of a live audience when you've finished a big dance that you've been working on for so long - I don't think anything can really beat that.
You're being cast for your acting ability. It's not based on the way your body functions. If you're playing a lead in a movie, it's for that character and they'll tailor it to you. In a dance company, you have to fit in a definite mold.
When I meet a girl, I just sort of do really over-exaggerated terrible dance moves... a lot of hip movements. I get them laughing, and get them to feel pity for me, and then they like me!
I think a lot of what you do in acting, and for the most part singing and dancing and everything, is trial and error. It's all about just seeing what works, and if it does, to use it, and if not, to throw it away.
There was no place else she'd rather be than slow-dancing on a beach with the sexiest, sweetest, most attentive man she'd ever been with.
We would play songs live on stage, and then we'd watch their reaction we were receiving immediately, if people were dancing and singing along. If they weren't, then we'd go into the dressing rooms of the different NBA teams that we were playing in th...
I've been a performer for a long time, but I really don't have any dancing experience. I did some of the musicals in high school, and I was in the glee club for a little while just to try and gain some skills... I was not good at it.
I am a member of the Kiowa Gourd Dance Society; I visit sacred places such as Devil's Tower and the Medicine Wheel. These places are important to me, because they've been made sacred by sacrifice, by the investment of blood and experience and story.
What is the price of experience? Do men buy it for a song? Or wisdom for a dance in the street? No, it is bought with the price of all the man hath, his house, his wife, his children.
Growing up in Minnesota, I had a lot of freedom to run around, and we had go-carts and four-wheelers and all that stuff. I like that adrenalin-rush stuff. I did a little bit of dance, but mostly sports.
I grew up in a big ol' Latin family, so that's all the music we used to play - salsa music. We'd always dance and have fun. You know how families get down, man! We just had fun with it.
The first show I ever did, singing and dancing, was 'Beauty and the Beast.' I was playing Gaston. Gaston has red tights, knee high boots, and it's very physical. I had headaches every day for two months.
I think one of the most difficult challenges in show business is the challenge of longevity and to constantly realize and reveal what's already been there - like doing stage and singing and dancing in New York. I haven't been that far out of my comfo...
Our wild boar shoot at our home in Germany is always a riot because we invite lots of friends. We spend the day out in the woods, but then we get all dressed up in long gowns to dance around in the evenings.
My house was full of music. My main memories are of the record player at home: it was all Beatles and Rolling Stones, and we danced around the living room; that started me off on instruments, and I've done nothing else ever since.
I'm working on a screenplay right now for the BBC, but I hope to have the decks cleared soon so I can get into the studio with my pals and put down some more tracks, try to get a strong dance single together.
Most people in the Western world grow up with the received wisdom that Mozart was a genius. But few people necessarily know why. More than anyone else, he captured this something which is the human condition, the fine line that we all constantly danc...
My dad and I used to do movie marathons when I was a kid at the Chinese Theatre, and I just remember thinking, 'One day I want to have a movie here' And then later on, when 'Save The Last Dance' premiered there, that was definitely a full circle mome...
