I had always loved expressionist painting, like every European. In fact I admired it all the more because these were precisely the paintings despised by my father's generation.
The Missouri is, perhaps, different in appearance and character from all other rivers in the world; there is a terror in its manner which is sensibly felt, the moment we enter its muddy waters from the Mississippi.
You call me a misanthrope because I avoid society. You err; I love society. Yet in order not to hate people, I must avoid their company.
When I was young, I didn't want to do traditional painting and calligraphy. I deliberately wanted to separate from my father so I could feel I existed myself.
I like to treat paint as material - to daub it, drop it, let it slide. There was Action Painting, but I also compare it to paint effects found on the streets. This approach is superimposed on a sculptural surface that is also 'painterly.'
When we distributed the paper and crayons, they were fighting over the blue crayon. Everyone wanted to start with the blue, and that was the water. One drawing shows the trees under water. I was really moved.
Sometimes I lie awake at night and I ask, "Is life a multiple choice test or is it a true or false test?" ...Then a voice comes to me out of the dark and says, "We hate to tell you this but life is a thousand word essay.
All right, so you believe in Santa Claus, and I'll believe in the 'Great Pumpkin.' The way I see it, it doesn't matter what you believe just so you're sincere! (Linus)
There are a lot of artists in Gowanus, and certain things come into your visual vocabulary from living there - the scale of the subway and the canal, sometimes it almost looks like a de Chirico painting, with the intense angles of the shadows and eve...
I am so infinitely happy that he loves me so much, and I pray that it will always be like this. It won't be my fault if he ever stops loving me.
Oh, Spring! I want to go out and feel you and get inspiration. My old things seem dead. I want fresh contacts, more vital searching.
Nature alone can lead to the understanding of art, just as art brings us back to nature with greater awarness. It is the source of all beauty, since it is the source of all life.
After all, we are not French and never can be, and any attempt to be so is to deny our inheritance and to try to impose upon ourselves a character that can be nothing but a veneer upon the surface.
Well, I've always been interested in approaching a big city in a train, and I can't exactly describe the sensations, but they're entirely human and perhaps have nothing to do with aesthetics.
Genius is nothing more than common faculties refined to a greater intensity. There are no astonishing ways of doing astonishing things. All astonishing things are done by ordinary materials.
If most American cities are about the consumption of culture, Los Angeles and New York are about the production of culture - not only national culture but global culture.
I'm an artist who works with pictures and words. Sometimes that stuff ends up in different kinds of sites and contexts which determine what it means and looks like.
I read in a weird way. It comes in waves, and then I start, like, five different books at once. It takes me six months to a year to finish them all, since I read mostly on planes.
Student journeys which were important to me were Sicily, Greece, and Egypt, where I really saw these buildings, and that is where you're able to grasp what things mean.
The latest page I've been working is about the organization of the pantheon of the gods. Who's indebted to whom, how they are related, who screwed whose uncle or grandmother, all of that.
I was brought in, not in the photographic department at all, I was brought in on a thing called Special Skills. I was to do posters, pamphlets, murals, propaganda in general, you know.
