Our bodies are at once the receiving and transmitting stations for life itself. It is the highest wisdom to recognize this fact and train our bodies to render them sensitive and responsive to nature. art and religion.
I'm the classic example of alienation: I grew up in a middle-class household without art or books. I was going to be a chemical engineer until I went to the theatre for the first time at 16 and was blown away by it.
Dai Vernon, the greatest sleight of hand figure in the history of the art, rarely performed. But he invented magic and had an enormous influence on the whole range of sleight of hand. And so often, the magic he was doing was to fool other magicians.
I think we're much smarter than we were. Everybody knows that abstract art can be art, and most people know that they may not like it, even if they understand there's another purpose to it.
I think there's escapist moviemaking, and we want to be captivated and taken away. If it's done right, you can craft an incredible film. There have been superhero films that I think are brilliant pieces of art.
But what does interest me is the notion that if you do a lot of work it means there's a potential for other people to understand that a lot of things are possible with a sustained effort and that the broadening of experiences is possible and I think ...
I am always rethinking how art is perceived and received, questioning our relationship to art. That's always been a constant.
If you're creating something that has some sort of cultural currency - if the idea is getting out there - then that will probably yield money in some form, whether it's through selling art or selling books or being asked to give a lecture.
Art shows and the institutions end up being the couriers for culture for the next generation and are an important component as well. It may seem ironic from one perspective, but I think if you look at my overall strategy, it's actually not out of ste...
I had art as a major, along with English, French and History. I had dance, modern dance. In English I was allowed to write my own poetry, which I eventually got published.
The system is the work of art; the visual work of art is the proof of the System. The visual aspect can't be understood without understanding the system. It isn't what it looks like but what it is that is of basic importance.
Just as the development of earth art and installation art stemmed from the idea of taking art out of the galleries, the basis of my involvement with public art is a continuation of wall drawings.
I began drawing as a very young child and had a grandfather who experimented with photography, so those things constituted my first exposure to art.
When I got into art school, I thought it was paradise. I wanted to be an artist so much that I was really driven and nothing could stop me.
For me acting is a passion and an art, and always will only be that. I don't have any rules when it comes to acting. I'll do anything. But it depends on the script. Either I'll have passion for the project or I won't. It's got to fuel me.
I think the art world... is a very small pond, and it's a very inbred pond. They rely on information from an elect elite sect of galleries, primarily in New York.
In Japan, I am famous in certain special circles - mainly as someone who is trying to break down and enlighten the conventions of Japanese art.
I know as a director I hit it out of the park sometimes, and sometimes we haven't, and that's kind of the way art goes. You just have to be willing to take the 'failures' and learn from them, make the best of them.
It doesn’t matter who we are or where we’ve been, God sent His Son for us – that’s the beauty of the Gospel.
In certain books—some way in the first few paragraphs you know that you have met a brother.
Cherish your own emotions and never under-value them. We are not here to do what has already been done.
