I don't really like the word 'religion.' To me, that's like rules and regulations and paying money to send up prayers. That kind of all weirds me out, honestly.
We had two cameras, so they could turn it on and shoot as much as we wanted. You don't have to worry about wasting money on film. A lot more takes are possible.
In general in comedy, there are fewer people making a ton of money and a lot more people making a living. For me, the goal is just being able to make exactly the show I wanted to make.
Not only did I come out as a reality star that was very boisterous and vivacious and outspoken and all those things. I flipped that into money and respect. And a lot of people can't do that.
I don't think money can help you become a better painter, for sure. You can have all the studios you want; it won't help you make a better painting.
I probably make more money in a year on 'Newhart' than 70 percent of your working top-name stars. Some weeks I just have six lines, but it doesn't bother me.
Fortunately, now I've got myself in a position where things are about story and not money. In my earlier career, it was more about getting my foot in the door and to get enough money to live, to be perfectly honest.
I started doing a paper round when I was about 10. I started earning 10 pounds a week and then I was obsessed with earning money until I was about 15.
Well actually, some weeks they'll write that I'm jealous of living in her shadow. Then other weeks, they'll write that all I want to do is loaf around on her money! It's ridiculous!
I think people enjoy reading about money, but the people who are in charge of giving me guidance tell me not to talk about it in interviews. Why not? That's what everybody thinks about.
My worst holiday was in Athens when I was a young drama student at Rada in 1965. I ran out of money. I had my things stolen and I wasn't able to speak a word of the language.
There was a little movie I did called 'Women In Trouble' that a friend of mine made. That, to me, was a very satisfying project. It was shot so quickly during the writer's strike, and there was no money. It was a really fun project.
On everything I do I'm always taking someone's money, whether it's a movie studio or a record label. Somebody's paying for it, and I'm always respectful of that. But I'm never going to compromise.
First of all, from a spiritual perspective, I don't think anyone needs to be apologetic about being successful or having money. The more successful you are, the more job opportunities you create for other people.
If you keep a clean heart with your money, you will have a clean karmic cycle, but the day you do something negative to another person, that karmic circle will start to bring you down.
We had a very normal, sort of ghetto, urban upbringing. My father was a bus driver and my mother was a seamstress and a substitute schoolteacher, off and on. So, that all adds up to no money.
I joined the after-school club, School of Comedy, which progressed wildly, and in quite a Hollywood way. It sounds like 'School of Rock', right up to trying to raise money to pay for a venue in Edinburgh.
I'm always glad when people come together to help each other - whether they're raising money for somebody in a bad situation or making a creative piece like a song.
I am a big fan of vampires. I've always been obsessed with the genre, and the beautiful romanticism and erotic kind of nature of the immortal being, the undead who lives on human blood.
The sheeplike nature of travel - being on a beach with thousands of other people is not my idea of fun. I also don't like being a tourist because you don't know what's really going on in a country.
I knew, of course, that trees and plants had roots, stems, bark, branches and foliage that reached up toward the light. But I was coming to realize that the real magician was light itself.
