I care about money, very much. I want it. I don't ever want to be without it. My mother once said about me, 'Elaine has to have money.'
Well, Hollywood isn't made up of individual studio heads anymore. It's made of corporations. And corporations are looking for the bottom line. They don't want to take chances. They want the money back for stockholders.
Every decision that you make you have to be incredible congruent. It doesn't mean that you have to starve. If you need money, you do something that gives you money, that's normal.
I find Washington audiences are basically the same as every other audience; they watch me and go, 'Who's idea was it to go see him? And is it too late to ask for my money back?'
When you're a child, you take things for granted. For instance, my mum didn't have a lot of money, but I went to piano, ballet and gymnastics lessons, and tae kwon do.
On the little money I had collected I lived in Berlin very cheaply, ate very cheaply. And already in 1920 I saved the first salaries I received to go to Munich.
I believe that anybody who gets married should go to a counselor for months before the wedding. I think that's going to save guys a lot of money and the ladies a lot of heartbreak.
When I was in jail I could only think about what the average person has to go through - the person who has no power to go to the press or no money to hire a lawyer.
There's so little difference between television and features as far as you make the film. I mean, you have less money and it's a little quicker, but the concept is all on television.
HBO spent a huge amount of money on 'Game Of Thrones,' and it won't be able to keep spending the money if it can't make it back from people watching it legitimately. It will have an effect on the quality of the programme.
We didn't have a TV because we didn't have a whole lot of money. My parents would have their friends over - their friends who thought, 'How can you live without a TV?'
Woody is the guy who made me want to be a comic. I was in heaven and couldn't stop smiling because he was my idle and 29 years after seeing Take the Money and Run, I was working for him.
I didn't take anything from anyone - first of all. Second of all, I opened a comedy club with money that I saved over 25 years. I created jobs.
Teaching is a truly noble profession. It's sad the amount of responsibility that teachers have today. They're not only teaching kids: they're raising kids, policing kids - and they don't make a lot of money.
Acting for me, is a passion, but it's also a job, and I've always approached it as such. I have a certain manual-laborist view of acting. There's no shame in taking a film because you need some money.
Because I'm not doing it for the money, I'm doing it because I feel like that story needs to be told or clarified, or something needs to be shown about that.
To make money in New York, you have to add gigs when starting out, so while I was acting quite a bit, I would do modeling.
As far as acting in films, there is not much out there that is very interesting to do. The ones that are interesting to me are independent films and they have trouble raising money. With people putting their money into blockbusters, there is not much...
Wynton told us that Miles sold out, just wanted to make more money, just wanted to sell more records. I don't believe that Miles sold out but I'm not in a position to say.
If I want to, I can sign 20 films for ridiculous amounts of money, but I really want to do different kinds of cinema. I want creative satisfaction.
I feel like being a door person was like college in a sense. I could watch comedy on a professional level seven nights a week without paying, and they would pay me a nominal amount of money to be there.
