I like the confusion you get between science and religion … that’s where belief lies and art as well.
As a kid, I remember John Daly bombing it around St. Andrews in 1995 to win the British Open, and people say we are similar in a lot of ways.
A lot of Broadway has that immigrant narrative of America as a place where you can become something else against all odds.
I have always been interested in having people fall into the image and be aware of their reaction first, and then think about the style.
I'm interested in visual vocabulary, like Warhol was interested in that vocabulary of advertisements and television and pop culture.
I pay two full-time assistants in my studio, plus consultants who are architects, engineers, and landscape architects, as well as lighting designers.
The spaces I want to be in are nurturing and soft and saturated with color. Our cities don't have enough of that, and as humans we need it.
Sometimes I see it and then paint it. Other times I paint it and then see it. Both are impure situations, and I prefer neither.
To do a drawing for a painting most often means doing something very sketchy and schematic and then later making it polished.
I assumed that everything would lead to complete failure, but I decided that didn't matter – that would be my life.
I really love to drive. It's really hard for me to be a passenger, even though I get to look around a little bit more, but I've gotten really good at driving and looking.
For my money, I don't think there's been a better comedy than 'Kung Fu Hustle' in a lot of years. That movie just knocked me over.
It doesn't matter about money and fame and whatever. I really don't care about that. My thing is, I'm happy that I'm able to have kids have a hero and have someone that they can look up to.
I'm very excited to see where the characters and their relationships go. But in the end, it really boils down to the people who have more power than me, who control the money.
Those of us in the industry who are still foolishly clinging to the idea that female films with women at the center are niche experiences - they are not. Audiences want to see them and, in fact, they earn money. The world is round, people.
I felt in a lot of instances I was deliberately being put through stress because when you're a guy who generates money, people have a vested interested in controlling you.
I did this film for less money than it costs to stay in this hotel. We shot it in 20 days. We couldn't screw up takes for fun because we didn't have enough film.
Nobody has money right now. And eating is very important, but it doesn't need to be expensive. And to make - it doesn't need to be fancy, as long as it's fresh and simple. The simpler it is, the more fancy it actually comes out tasting.
What was the reason for invading Iraq' Was it a humanitarian crusade or an economic one' I would be inclined to say the latter. It was the same with the Civil War, because the landed gentry's money was being stolen by the king.
I have no complaints about losing money I put in high-risk investments. I did some of that when I had real money; my informed choice, my measured gamble.
Basically, movies come down to economics, and they're always too expensive. From a producer's point of view, an actor is either going to make him money or save him money.
