The only thing that matters to me is getting to the work - getting to do the work. And I don't really care where it is: whether it's on stage or on television or in film.
I usually work out 4 hours a day during the week and 5 to 6 hours on Saturday, with Sundays off.
I work out, I go to pilates, I walk and I eat everything I can get my hands on.
That's because I didn't have to work with Madea. I only had to work with Madea once, and that was at the barbecue and I didn't have to get close to her.
When you're home-schooled, you have to have a certain level of work ethic. Otherwise, you don't get anything done.
It doesn't matter who you are or where you come from - if you put quality work out there, it will be appreciated.
In my case, the body of work stands for itself... I think my work has been representative of me as a man.
I really like reading about how families work together.
I enjoy my work, no matter who I am working with. Even if you give me a solo silent film, I will enjoy it.
The boarding I do is pretty strenuous and because I'm so active I really don't have to work out too often.
The test of the artist does not lie in the will with which he goes to work, but in the excellence of the work he produces.
What I try to keep an eye on is I don't work for the party bosses in Washington. I work for 26 million Texans.
You have to work with the auto industry, the oil companies, you have to work to develop renewable fuel, whether it's solar or different kinds of fuel or whatever.
I can only work out for so long before I start to really feel the effects.
It's much more work for the mother of an autistic child to have a job, because working with an autistic child is such a hassle until they go to school.
In the commercial theater, I've been pretty fortunate. The producers that I've worked with have allowed me to define the artistic integrity, the artistic limits of the work.
I've heard of nothing coming from nothing, but I've never heard of absolutely nothing coming from hard work.
I'm this overachiever type, I'll just work and work and I'll just do it over and over and over again.
People who work 44 hours per week make 50 percent more than people who work 34 hours a week.
Taken together, New Labour policies have helped to build a series of overlapping chav caricatures: the feckless, the non-aspirational, the scrounger, the dysfunctional and the disorderly. To hear this sort of rhetoric from Labour, rather than the Tor...
The important thing for the remembering author is not what he experienced, but the weaving of his memory, the Penelope work of recollection. Or should one call it, rather, the Penelope work of forgetting? ... And is not his work of spontaneous recoll...
