I was born in 1960, and space theory, especially in the last part of that time and going into the '70s, space was very relevant at that time. It was on television - all the experiments, the moon landings, everything like that.
Well, we spend an awful lot of our time working and doing experiments. It's very busy up on the shuttle.
It's important to travel and move and have a continual set of experiences so you've got more to feed back into your work. For me, it's a natural thing.
The whole of the hydrogen on the earth might be transformed at once and the success of the experiment published at large to the universe as a new star.
My name, my origins, my background and my experiences are what leveraged my success. The angle of the immigrant, through which I examined the reality in France, distinguished me.
America is the most grandiose experiment the world has seen, but, I am afraid, it is not going to be a success.
The first task in teaching is to bring to consciousness what the students already believe by virtue of their personal experiences about themselves and society.
I love dessert. I can't be guilty about it because I have to taste everything. I experiment.
I'd love to be an award-winning, commercial successful actress! I would love to push myself to the limits as an actress and experiment with playing really interesting women.
I love social media and the ability to connect to new people through Twitter and Facebook and share my real time experiences with my mommy network.
You'll find little schools of musicians experimenting with different ways of making music in Brooklyn, all through Manhattan, in Queens, in Jersey, you know? The city is still bubbling with creativity.
Well, Winnepeg has everything to do with my music in the sense it was where I was born and raised, cultured and all that sort of thing. A lot of my experiences come from Winnepeg.
If one takes all the styles in jazz harmonically from the earliest beginnings to the latest experiments, he still has a rather limited scope when compared to the rest of music in the world.
Rap is the only interesting music left - it's the only genre that's still pushing itself, and experimenting in a way that I find exciting.
Playing shows is really fun. And writing music is really fun. But going on tour for a year is one of the more soul-crushing experiences you can have as a creative person.
Music is changing so quickly, and the landscape of the music industry itself is changing so quickly, that everything new, like Spotify, all feels to me a bit like a grand experiment.
I was born in Alabama and my first live music experiences were in church. Every Sunday we watched regional gospel groups on television singing their hearts out.
Because making movies is such an expensive endeavor, other media such as books and comics have long been a more feasible way to experiment with truly new ideas.
You're basically the sum of all the experiences you've ever had, and they're sort of shaken up in you and reproduced in the things you create, and that includes seeing movies.
I want my movies to be audience experiences. As much as I like Michael Haneke, I'm not going to make a Haneke film. That's just not in my DNA.
The main thing that I learned from my horrible job experiences was how horrible they were.
