Dae-su Oh: [on receiving three chopsticks with his prison rations] All I could think about in that moment was the guy in the next room was eating with only one chopstick.
Librarian: Sir, wouldn't you be more comfortable in a study room? [Andrew looks up and sees people in the library staring at him] Andrew Beckett: No. Would it make you more comfortable?
Macaulay Connor: C.K. Dexter Haven, I would like to talk to you. C. K. Dexter Haven: Well, let's go in the talking room.
Charlie: Raymond, what were you doing in my room? Charlie: I heard noises. Raymond: You heard noises? Well, those noises are none of your business.
Eli: [immediately after landing in the front room after crashing his car into the house] Where's my shoe? [on cue, Dudley retrieves his shoe]
Policeman: [calling on the phone] Coroner's office. Who's on this line? Hedda Hopper: [in Norma's room, on the phone] I am. Now, get off. This is more important.
President Merkin Muffley: Gentlemen, you can't fight in here! This is the War Room.
Sherlock Holmes: [after being tossed across the room] Un moment, s'il vous plait. Dredger: [affably] Je ne suis pas pressé.
[Buster the dog is barking and trying to leave Andy's room] Slinky: Ah, this fella says he needs to go out back for a little private time?
Adrian Veidt: It doesn't take a genius to see that the world has problems. Edward Blake: No, but it takes a room full of morons to think they're small enough for you to handle.
Natasha: I don't want to give your friend the impression that I'm a witch. Imran Habib: [enters back in his room] Witch alert!
I don't know what to do with it. I'm very fortunate to have it, and it gives you room to maneuver. But the main thing about having money is it means you don't have to worry about it. And that for me is a lovely thing. It's not for fast cars and hooke...
The power of affinity lies in its mystery: the way it stands outside everything logical; you step into a crowded room and see a stranger, and somehow you feel you know her better than you know the friends you came with.
While also, importantly, not wanting to dumb it down or pretend the days of 'difficult' poetry are over, because we live in a pluralist culture and there's room for 'difficult' poetry alongside rap and everything else. And poetry won't be for everyon...
I don't like the idea of things being off-limits to kids - like a fancy sitting room where they can't touch anything. I own vintage pottery cups, and I let my girls hold them. It teaches them to treat objects with respect.
When I find myself in the company of scientists, I feel like a shabby curate who has strayed by mistake into a room full of dukes.
When I go into rehearsal rooms and meet with bands, they're genuinely excited to be with me because of what I've done as an artist, not because of anything else. There's that whole celebrity rock star thing, and artists are into artists who have been...
There are moments as a teacher when I'm conscious that I'm trotting out the same exact phrase my professor used with me years ago. It's an eerie feeling, as if my old mentor is not just in the room, but in my shoes, using me as his mouthpiece.
I love collecting market stuff in Mexico. I have an etagere built onto the wall of my living room, which has cubicles that are lit and filled with super inexpensive pottery. You see them in a new way; they become museum pieces.
America does not need gorgeous halls and concert rooms for its musical development, but music schools with competent teachers, and many, very many, free scholarships for talented young disciples who are unable to pay the expense of study.
I was a quiet, nerdy kid living in the Bronx. I spent most of my teens in my room, taking apart electrical items to figure out how they worked before putting them back together, and listening to the music my four older sisters and parents played.
