The crossover wasn't happening. TV actors were TV actors, and film and stage actors were a whole different thing. And now there's just a lot of crossover.
To me, a big crossover was what happened to me years ago, like bringing my music in Spanish to Europe, or Asia. To me, that's a crossover because Spanish is not a language that everybody talks.
What I write, if you have to label it, is crossover, and I think that much of the stuff that is called children's or YA is in fact crossover and is equally valid for anyone who likes to read fantasy.
My favorite type of music to sing is a crossover between country and pop.
I'm very picky and I'm in a situation where it's a big crossover.
I'd like to see more crossover between white and black music. That's something I've been advocating for years.
I wouldn't mind being the female MJ. I want to have major crossover appeal.
I think they want to keep it separate, but I've never been a crossover artist for some reason.
I really want to do a 'True Blood-Six Feet Under' comic book crossover.
That crossover of whether it's entertainment or news is the biggest crock of b.s. in television today, because it's all entertainment.
It's usually human drama that carries with it issues of race or class that attracts me. That was certainly the case with 'No Crossover.'
I have no desire to become a crossover artiste, singing with microphones. I believe in opera; that it is something that young people would love if they had a chance to hear it.
Basketball Rule #4 If you miss enough of life's free throws you will pay in the end.
When you make that crossover from life to real life, when you're not treated as a child anymore but as a man, and you are no longer given the benefit of the doubt, it takes some courage to face that.
There are so many stage actors on TV but you wouldn't know they were stage actors. And film and TV actors are going to the stage as well, so the crossover is great now.
They believed you can't mix rock, country, and rap, and that crossover is dead. I always knew it would work. And it will always work as long as you're really into it and like what you're doing.
That was the crossover line for us, to be able to play that many shows, sell them out real quick and have that tribe queue up outside and still be a mystery to everybody else.
I think that some people still think that the formula other than gospel still is not strong enough to get that crossover appeal to people enough that they would play it all the time, or nonchurch people would accept it, but I disagree.
Every time I got 'Amazing Spider-Man' or 'Fantastic Four' or another book firmly on the rails, we got pulled into some big event book or crossover and it cost momentum and messed badly with the pacing and structure of the book.
I don't think I'll ever want to do pop music. I think I'll only ever want to do classical crossover because it's something that I love, and pop just doesn't work for me.
Pantelion and Televisa can reach my core fan base better than anyone, and with the distribution expertise and brand recognition of Lionsgate, I know we can build on the crossover audience that we began to reach with 'Instructions.'
