Even if you actually have the good intent to do something creative or special with your life, it's hard. I mean, look at the number of people who actually get the opportunity.
Because over and over again, the times that I've done really good things is because I've had a wonderful client of some kind, and a lot of it depended on me to induce them to be creative.
As is the case with all good things in life - love, good manners, language, cooking - personal creativity is required only rarely.
You cannot teach creativity - how to become a good writer. But you can help a young writer discover within himself what kind of writer he would like to be.
I think more money can be very detrimental to movies and TV because things get solved economically rather than creatively, and that's never a good solution.
At some time in their careers, most good historians itch to write a history of the world, endeavor to discover what makes humanity the most destructive and creative of species.
If you're willing to do it as good as you're willing to think up to do it, that's what your mind is there for, and you deliver excellence right now, now being the only moment you can control or do anything with or be creative with.
I was working with Bill Graham management at the time and it was obvious to everyone concerned that albums like Open Fire, while they were good for me creatively, were not going to be commercially successful.
A lot of musicians are good cooks, and a lot of cooks are musicians, but I think that may just be a result of the creative impulse finding several means of expression. Probably an equivalent number are visual artists, woodworkers or compulsive liars.
At the very beginning of my creative life I loved humanity. I wanted to do something good for mankind. Soon I understood that it isn't possible to save mankind.
An ideal day for me is a combination of a fun-exciting creative moment with work partners, some laughs and games with my kids, a good surf session, and great conversation with friends around a meal.
For me my friendship with Omar Rodriguez from Mars Volta that friendship really means a lot to me because he's another creative person who works as hard as I do.
A dream is your creative vision for your life in the future. You must break out of your current comfort zone and become comfortable with the unfamiliar and the unknown.
My idea in terms of managing a narrative, or in thinking in my creative life, is that you could easily argue that the past, the present and the future all occur simultaneously, and if you can postulate that, then you're not strictly bound to a linear...
In Don Mills in the Sixties, nothing comes close to the humiliation of losing an argument. In our weird little creative circle, no one cares who has faster fists, but to lose an argument suggests inferior intelligence.
There is a general knowledge that I am multi-dimensional, that when you are creative you do a lot of things.
Such manifestations I account as representing the creative leadership of the new forces of thought and appreciation which attend changes in technological pattern and therefore of the pattern of human relationships in society.
The greatest real thrill that life offers is to create, to construct, to develop something useful. Too often we fail to recognize and pay tribute to the creative spirit. It is that spirit that creates our jobs.
To lose your everyday life of surfing and being creative on waves, enjoying the ocean - that's scary to me. It was essential to at least try surfing again and get out there and see how it went.
I only want to work with transparent ideas and accessible technologies that 'spotlight' the individual's role in society through creativity. I try to live an open-source life.
You must not for one instant give up the effort to build new lives for yourselves. Creativity means to push open the heavy, groaning doorway to life.
