I think you have to learn for yourself how to write. I'm slightly mystified by creative writing courses - God love them - because I can't understand how you can explain a process that I find so baffling.
I didn't have any knowledge of the music industry when I first got to L.A., and I really didn't know on a creative level what I wanted to sound like, so I had to do a lot of experimenting. It led to a spiral of depression and being broke.
The bearing, rearing, feeding and educating of children; the running of a house with its thousand details; human relationships with their myriad pulls - women's normal occupations in general run counter to creative life, or contemplative life, or sai...
I've had the thought that a person's 'artistic vision' is really just the cumulative combination of whatever particular stances he has sincerely occupied during his creative life - even if some of those might appear contradictory.
I think it's natural for a creative to be sensitive. If I'm in the studio and I write something, I think it's the greatest thing in the world; it's like my baby. I just made something out of thin air that exists now in a tangible form. It's the bigge...
I think that creative work, music in particular, is a conveyor of inner emotional life. I don't feel one way all the time, so I don't want my music to feel the same way all the time.
I never attended a creative writing class in my life. I have a horror of them; most writers groups moonlight as support groups for the kind of people who think that writing is therapeutic. Writing is the exact opposite of therapy.
If you're an American reader, you can love short stories the way other Americans love baseball; this is our game, people! We have more than two hundred years of know-how and knack, of creativity.
You know how people love to glamorize poverty? There's nothing glamorous about it. But it did make me really creative. Those days, I was literally taking t-shirts in the day and sewing them back together to make dresses for the night.
I love puppies, and I love animals in general. Besides that, I do martial arts: extreme martial arts. I also play real guitar and drums, and sing. And I'm taking some college classes, hoping to major in English and creative writing.
As an actor, there is room for a certain amount of creativity, but you're always ultimately going to be saying somebody else's words. I don't think I'd have the stamina, skill or ability to write a novel, but I'd love to write short stories and poetr...
Femininity is not just lipstick, stylish hairdos, and trendy clothes. It is the divine adornment of humanity. It finds expression in your qualities of your capacity to love, your spirituality, delicacy, radiance, sensitivity, creativity, charm, graci...
I get my most creative sort of energy after a show. So I love to go back to the hotel and compose new material. Generally in a rush, exactly. I have to get it out somehow, otherwise I can't sleep, you know.
Being creative is my idea of heaven. I'm just incredibly fortunate that I can do it in artwork. Watercolor is what I started out with. What I love about watercolor is that a lot of happy accidents occur.
What I love about L.A. and Washington, D.C. is that they're almost the opposite of each other. L.A. is a very creative space while D.C. is a very cerebral space. So, they're the ying and the yang in my world. I like them both for their own reasons.
I don't see myself as a hero because what I'm doing is self-interested: I don't want to live in a world where there's no privacy and therefore no room for intellectual exploration and creativity.
You think 24-7 when you're a creative person. And I find pleasure in everything - if I'm in a flea market, I'm there on my downtime, but I'm also there searching for the collection. I don't separate the two.
Amazon's Jeff Bezos, Facebook's Mark Zuckerberg, Bill Gates, and Steve Jobs did not start out wealthy, and actually added to income inequality, but we all benefit from their creative effort.
Tortured Soul 101: The depth of despair one experiences during the creative process (as experienced say, in an abysmally blank page or canvas) is directly proportional to the scope and power of the work that emerges when it breaks.
I believe, however, that such abnormal moments can be found in everyone, and it is all the more fortunate when they occur in individuals with creative talent or with clairvoyant powers.
The most important thing is to hold on, hold out, for your creative life, for your solitude, for your time to be and do, for your very life.
