I've always said I'm more influenced in what I do by artists, and how they work, how they think, and the freedom they're given to work and think, than I really am by other writers.
As one gets older one sees many more paths that could be taken. Artists sense within their own work that kind of swelling of possibilities, which may seem a freedom or a confusion.
Working with David Cronenberg or Darren Aronofsky or even Steven Soderbergh isn't really like a typical Hollywood movie. These are true artists, and have a certain amount of freedom when they work, and they're more like independent filmmakers making ...
We were all miners in our family. My father was a miner. My mother is a miner. These are miner's hands, but we were all artists, I suppose, really. But I was the first one who had the urge to express myself on paper rather than at the coalface.
I think my father would have liked to have been an artist, actually. But I think he didn't quite have perhaps the drive or, I don't know, I mean he had a family to bring up I suppose.
When I talk about my artist parents, people imagine a bohemian environment and think, 'Aha, so that's where he gets it from!' But we were as white, straight, and middle-class as the next family on our white, straight, middle-class housing estate.
I came from a lower-middle-class postwar family in a time of austerity and retrenchment, with no one in the family who was in any way artistic or a potential mentor to a budding writer, and yet this is what I became.
My mom is actually a former prima ballerina, and all the women in my family are associated either with dance or choreography or acting, so I'm very lucky in a way because I grew up in a family of artists. I've been dancing since I was a little kid.
I was a 'runaway girl' from France who married an American and moved to New York City. I'm not sure I would have continued as an artist had I remained in Paris because of the family setup.
I think a lot of high-profile artists like to make people think that. 'Oh, I'm trying to choose my next project.' This is a job. Sometimes your next job is so you can provide for your family; your kids are 16 and getting ready to go to college.
Maybe the bar is low, but most of the strips that are 50, 60, 70 years old that are on their second or third generation of artists, the humor is pretty bland. There are others by people that were raised on 'Family Guy' or 'South Park' that are edgier...
I hope the business sense that artists like Jay-Z and Nelly are showing rubs off on the young players. I want somebody to stand up and say, Look, these kids got it going on. We want to be a part of them.
Our co-founder and company president, Jim Levy, came from a record industry background and understood the marketing and promotion of artists as well as products. So the video game business went from absolutely zero designer credit to something approa...
People say 'Women's Wear' is a scandalous, gossipy publication. Sure we have gossip; we also have some very, very solid business stories. We are a creation of this business, which is fast, mean, tough, sometimes artistic, sometimes horrible.
When I first came into the business, I had to, for the sake of being able to sell myself as an artist, always be happy and jovial and smiling. I was the happy nice girl, and I am the happy nice girl, but I have my moments, too.
My education was dominated by modernist thinkers and artists who taught me that the supreme imperative was courage to face the awful truth, to scorn the soft-minded optimism of religious and secular romantics as well as the corrupt optimism of govern...
Twitter and social media have so changed the game for filmmakers, but especially for artists. It shrinks the world and gives chance to feel like they know you. But it's a blessing and a curse. It can help build you up, but there's also such anonymity...
I've been starting in new places year after year after year. It's just like when I went to Greece or the Philippines. I love when people think I'm a new artist. It's a chance to start over.
I think most artists would be happy to have bigger audiences rather than smaller ones. It doesn't mean that they are going to change their work in order necessarily to get it, but they're happy if they do get it.
No one can make the album they made 10 years ago with a straight face. There are two reasons: one is you change as a person. To be a true artist, I have to be true to who I am now and write that way. And the second thing is these are different times.
Any artist that is even surviving right now is a dark horse because things change pretty fast. You're a superstar one day and wake up the next day and you're anonymous. To be successful in any way is beating the odds right now, I think.
