The true gourmet, like the true artist, is one of the unhappiest creatures existent. His trouble comes from so seldom finding what he constantly seeks: perfection.
Journeys, like artists, are born and not made. A thousand differing circumstances contribute to them, few of them willed or determined by the will-whatever we may think.
I strongly suggest that we play down basics like who influenced whom, and instead study the way the influence is transformed, in other words: how the artist made it his own.
There is no line of demarcation between the amateurs and the pros; everyone is using the same tactics and playing in the same arenas. The only thing that separates them is radio, but the artist doesn't control who goes to radio and who doesn't.
I never want to be an artistic bully, and put myself above anyone else... or be more prestigious than anyone else. You like what you like, and you have to take that as you want it.
To those supporters who were told that I abandoned them, that is untrue. I abandoned greed, corruption, and compromise, never you, and never the artistic gifts and abilities that sustained me.
The story that I wanna tell is pretty much about the way I grew up. Being bi-racial, growing up in a big city and being an artist.
A free culture is not a culture without property; it is not a culture in which artists don't get paid.
I am deeply in tune with my heart and core, and it's made me a better writer, artist, and most of all woman. It's made me more myself.
I'm a songwriter, and I understand artistic licence. We can embellish, go on little journeys and explore our inner selves. It can be quite self-indulgent.
The deepest and most sincere feeling I get is when I meet an artist and they have that steel in their eyes and they have that fire and that passion and all they want is to be a star and to hear themselves on the radio.
Dancers have always been a kind of background image, we've always danced behind an artist or we've danced in a movie behind the actors. We've always been very secondary.
The survival of artistic modes in which we recognize ourselves, identify ourselves and place ourselves will survive as long as humanity survives.
I can safely say that I had an incredibly difficult and trying past growing up and trying to be an artist and standing up as who I am in this world.
And a lot of the artists and people that we hired were fans of Transformers growing up, so having so many fans working on my crew really kept me on point.
The individual, man as a man, man as a brain, if you like, interests me more than what he makes, because I've noticed that most artists only repeat themselves.
Everybody is different. Some people like to share more. I just wouldn't want to spoil someone's opinion of me by them knowing me as a person instead of an artist.
When the artist finds himself he is lost. The fact that he has succeeded in never finding himself is regarded by Max Ernst as his only lasting achievement.
The role of the architect as artist is an ancient one, but it was de-emphasized with the rise of modernism, which rejected the drawing-based Beaux-Arts tradition in favor of a more technocratic approach.
I really believe that, as an artist, my opportunity to help to bring about awakening is one that should come from a personal process that someone has, and not from me telling somebody that this is the way it is.
I think any kind of hiatus one takes in an artistic journey is going to make a huge difference. The pause will inform the choices that you make.