Luckily, I was raised by people who'd already seen all the yuck stuff, which is why they originally didn't want me to act. I understood the difference between getting a part at a Hollywood party and getting a job.
When I get to my deathbed, I don't want to take my last breath and say, Well, how glorious. I've left the world my acting credits. I won't even think that.
My point here is I think international pressures of our acting unilaterally again are going to be such that the administration will say, well, we just can't take this on now.
I felt alive when I read a script and acted out a scene, or sang a song. It was my dream. I'm just very lucky that I'm still doing it and able to earn a living from it.
My feeling is, I do a lot of low-budget films. I don't do low-budget acting. I have no interest in just goofballing my way through, thinking, 'Ah, no one's ever going to see this anyway.'
For a while, I thought, maybe I should direct, until I got to New York and saw the stupidity of that idea. If it's hard to get into acting, what is it like for a woman to become a director?
I just like to do different things. What is more important than the name is that people know that I really like acting, I enjoy it and I want people to know that I am serious.
I actually made an effort to reject acting, to shove it out of my body, because I didn't want my kids to have an actress as a mother-to have, like, a silly person.
With big, emotional roles it's very easy, especially if you've grown up in the American school of acting, to exploit your own pain. You have to be careful about that, because 9 times out of 10, your pain is not appropriate to the character.
Every new baby is a blind desperate vote for survival: people who find themselves unable to register an effective political protest against extermination do so by a biological act.
There is something about acting that's mysterious and magical because there is only so much I can do to prepare, and then I have to just let go and breathe and believe that it will come through.
My first real acting job was 'Skins' at eighteen years old, and I just kind of grew into myself in those two years; I would have done terribly if I'd have got that job at sixteen.
I was 17 when I auditioned for 'Miss Saigon.' I really grew up doing that show. I pretty much knew, almost a year into 'Miss Saigon,' that I was going to be a performer, that I was going to be singing and acting.
Acting isn't something you do. Instead of doing it, it occurs. If you're going to start with logic, you might as well give up. You can have conscious preparation, but you have unconscious results.
What is a disloyal act? A person is disloyal if he treats you as a stranger when, in fact, he belongs to you as a friend or partner. Each of us is bound to some special others by the invisible fibers of loyalty.
A man can live and be healthy without killing animals for food; therefore, if he eats meat, he participates in taking animal life merely for the sake of his appetite. And to act so is immoral.
Really, the impetus driving me is I've always sung, but I like to act, I like drama, I like text, which is why opera is something I've come late to, I'd say.
Finally I had a place where I could express my pain and I felt safe because I didn't have to put my name on it. I think acting kept me alive back then.
When I get in front of a camera all my fears and my inhibitions just go away. As a model, I feel that I am acting, too, playing different parts and showing different facets of myself.
The most common reason we stumble into the delusion of powerlessness is that we're afraid of what other people would do or say or feel if we were to act as we wanted.
And yet, if we don't, first and foremost, act responsibly with the national tax dollars that we have, we can't properly address those regional priorities that we would like to.