We don't leave home without my daughter's doll La-La. She looks like a bit of a rag, but India is obsessed with her.
Australia is a huge rest home, where no unwelcome news is ever wafted on to the pages of the worst newspapers in the world.
If you're missing three or four limbs, you have special challenges going forward. And the last thing you want is to not be independent in your home.
I ask myself: Would I have been any worse off if I had stayed home or lived on a farm instead of shock treatments and medication?
At home I have a Tibetan terrier. I'm still not sure if he's a genius or very thick. It's a fine line.
Plus, teaching brings home to you very fast that you actually know nothing. I didn't realize that before.
I like to present something that the people haven't seen or haven't heard before. Otherwise they might as well just stay home and play the record.
The Westwood Cemetery is just a few blocks from my home, and a number of my very dear friends are buried there.
It was an outdoor Shakespeare theater that I grew up at. That feels like home, and the place I'm always trying to figure out how to get to.
I feel like I'm working on an oil rig right now. I'm away from home a lot.
Television, they say, will permit a person to be entertained at home, without the effort of going to a picture house, without the trouble of booking seats, without the presence of other people.
I'm purely most happy on a film or television set. That's where I feel I am home.
I'm not squeamish at all. As a child I dragged a dead squirrel home on my skateboard and cut it open and tried to look at its brain.
I'm too nervous to eat before I go onstage, and I'll usually eat out after the performance or when I get home at midnight.
One can say of language that it is potentially the only human home, the only dwelling place that cannot be hostile to man.
When I'm in the movie, I'm entirely in the movie. When I'm on the set, I'm 200 per cent there; when I'm at home, I'm 200 per cent at home.
I feel very at home in an empty church. I feel the most protected. It's very mystical.
When I'm at home, I want to be a normal person. I don't want to hear, 'Can I have your autograph?'
I did my New York debut at 21. It was 'On the Town' at the George Gershwin Theatre. New York is my artistic home.
When I'm back home in Chicago, since 'Roseanne' was such a Midwestern, blue-collar show, that's what sticks out in people's minds.
I was raised in a Christian home and, in fact, my mother led me to Christ as a youngster.