Yet the whole preamble of the second authorization act for the Marshall Plan showed the direction Congress was ready to take about breaking down barriers within Europe.
Getting comments like that from even the young people at the shows who probably aren't singers, the girls who just tell me that I'm an inspiration to them, for one reason or another.
All I insist on, and nothing else, is that you should show the whole world that you are not afraid. Be silent, if you choose; but when it is necessary, speak—and speak in such a way that people will remember it.
One of the real worries I had before the first season of 'Treme' aired was that, man, people in New Orleans really hold movie and television shows up to a high standard in how they depict the city.
The show can go on without me, and probably will, but I want to come back to act in Chicago. My wife and I just bought a condo downtown, and I want to do theater.
I watch Jay. I watch 'Letterman'. I flip back and forth between 'Conan' and 'Letterman', especially the top of the show for those guys.
I'm not looking at an action movie as something where I just jump around and look beautiful and show my muscles. Since there are so few people that do this and have that pedigree, people disregard their contribution.
I enjoyed 'Roswell' a lot, and I had a lot of fun playing Jim Valenti. I had never done a show that lasted as long as that - that one lasted three years.
The most peaceable way for you, if you do take a thief, is, to let him show himself what he is and steal out of your company.
I was always told from the hat-makers that you should have your hair up because it shows the hat more. It feels more 'done' when your hair is up.
With a popular show, you know that there's expectations there, so that's a little nerve-wracking when you're new and you're just trying to find your legs on something, but it's exciting, too, because that's what we work so hard for.
I work on fittings, mostly. You know, I sketch less and less in my work. I sketch for the show sometimes, but then it becomes more conceptual. But when I don't sketch, it becomes more pragmatic.
There have been two Geraldo Riveras through his long career. One of them was a reporter who has done some remarkable work. The other was a television show host who did what it took to get an audience.
I mean, when I started out I was billing per hour, like a shrink because you would sit with somebody and work. But most of it, if it's for a live show it's usually a buy-out. A flat fee.
The day I showed up to South Carolina to work, I was with my kid and my ex and our dog and Kirk was hanging with this weird guy and I kind of defined the two of them by his friend and made a vow to avoid him.
I read a lot of bad scripts and weird television shows. I don't know. There's a lot of work out there I was reading at 14 years old and noticing this lack of thought. And then, reading 'Afterschool,' that's full of thought. It was bursting with ideas...
I have to work really hard, eight shows a week, to get a nice check as an actor. But when I write a play, and it's a - knock wood - hit, the checks come in for many years.
I don't like it when celebrities get voice work. But then again, if I was the producer, I wouldn't want a bunch of no-names doing my show and have to worry about word-of-mouth. I see both sides of the story.
Umpires, like players, are expected to show constant improvement each season and at each level. Inconsistent plate work and the inability to handle situations are probably the two biggest problems that minor league umpires face.
I've been very lucky to work on a wide variety of projects, including two long-run and top-10 dramatic television shows. That is why it is so important to offer a helping hand to the next generation of young Latinos coming up behind me.
Many theaters are tackling the multifaceted work of black writers - established and emerging. Now the next step is for them to bring in audiences of color and continue to go out to our community and create a continuous connection that extends beyond ...
