Tell me what a person finds sexually attractive and I will tell you their entire philosophy of life. Show me the person they sleep with and I will tell you their valuation of themselves.
The value of the television network is partly tradition, serving as a navigation device and as a brand. Research shows that people do know and understand ABC as a brand, like Disney.
No one in 'Banshee' has small opinions. They have strong beliefs, and they will defend them ferociously. Having that element in the show just adds another level. It's another avenue for story, and it enriches the world.
No matter what people say, your fans are the ones that come to watch the movie or come to your shows and that's the most important thing.
I prefer winter and fall, when you feel the bone structure of the landscape. Something waits beneath it; the whole story doesn't show.
If some people think it shows a feminine side to be in the theater, I've never felt that. And I'll openly say that an intelligent person who is a sensitive person will be and should be in touch with their inner female.
The tendency of philosophers who know nothing of machinery is to talk of man as a mere mechanism, intending by this to imply that he is without purpose. This shows a lack of understanding of machines as well as of man.
Parents should watch what their children watch and not use TV as a babysitter. If a show is objectionable they should turn it OFF. They should write the president of the network and tell him they are never going to watch that program again and why.
When you introduce competition into the public school system, most studies show that schools start to do better when they are competing for students.
Even when I was in school shows, in elementary school doing plays, I'd always go off book and start improvising.
This is the heart of my argument: We can put more pressure on the antagonist for whom we show human concern.
I listened to Bill Bennett and tons of other talk show hosts who talked about that and other policies and started branching out and caring about other issues in regards to politics.
Sometimes things just click. The one contribution I tried to do, was shield the staff from the corporate politics that occur on any show. But yes, we all got along very well.
I just felt it was my job to show that there is no easy way to success, and that anyone who gets even just one Top 40 hit deserves their moment in the sun. I accentuate the positive and eliminate the negative. That is the timeless thing.
Over time, if you want rights, you have to also show that you can use them responsibly and that you can build a positive world in the online space, and that's also very important.
People around the world now complain about stressors everyday, and the word shows up throughout professional and lay literature. But in reality there is no such thing as a stressor. Why not? Because nothing has the inherent power to provoke stress.
Just look at all the awards shows now. It has turned into a catwalk. You have to be wearing a certain designer, a certain dress, and everyone's critiquing.
Roddenberry had created quite a complex and at times mysterious character. Guarded, cautious, careful in showing his feelings in expressing his ideas about many things - I found that very interesting.
Any film I've made, I've only really begun to understand in the cutting room. That's when the story shows itself to you, like a wreck coming out of the sea.
There are lines that I know are going to get a belly laugh, but after a few shows I get sick of hearing myself say them so I drop them.
I'm looking for a deal from one of you TV networks to give Snoop Dogg his own hood TV show where I can find America's hottest hood artists.
