We feel that in the future, groups are going to have to offer much more than just a pop show. They'll have to offer a well-presented theatre show.
It's kind of interesting when you sign on to a show because you're basically signing on to play a character because you only really see the first episode of the show.
Lie to Me' is one of the smartest shows on TV. We have something different, unique and new to say to the audience that they're not going to get from any other show.
On my show, I'm definitely the youngest one. So going from a show where everyone is over 30, to the movie, where everyone was like 20, 25, it was like summer camp.
But there's a huge blessing that comes from being a part of a show like 'The Cosby Show' that sets such a high standard of quality - it touched so many people on so many different levels.
You can limit the number of invitations to an in-person fashion show, but you can't police the Internet.
And I think that at a certain point, after all the time and all the conjecture and everything that had kind of gone on surrounding this show, I think that Mitch just felt like it was time to let it go. It was best for the show.
I got this call that they wanted me to join this cast. They called it a family show, and it thought that it would be similar to all family shows. I wasn't sure about this until I watched some tapes, and was amazed.
I just want my audiences to be entertained and feel like they're part of the show. I want to show them a good time and create an experience they're going to enjoy.
Our goal was to show people a vision of food they hadn't seen before. So, I had this idea of... let's cut all these things in half, and show a picture of the food in the pan, in the oven.
'Good Luck Charlie' is different from all the other Disney Channel shows because it's so relatable. Everything that happens on the show can happen to you and your family.
I've made choices that work with my family. I want to work and I want to be with my family so I just walk the tight-rope of showing up for both those things.
When I saw my first Broadway show, 'Beauty and the Beast,' I was like, 'Okay, I'm definitely gonna do this.' After that, I did little shows and started auditioning.
I have shared my whole life. My private and my show business life. It helps me actually to feel my songs and to go on with my dreams.
I think it's one of the main negative emotional ingredients that fuels show business, because there's so much at stake and the fear of failure looms large.
I couldn't do anything. I'd work in a department store for a couple of weeks, but I couldn't hack it. I couldn't even type! I had no skills whatsoever outside of show business.
Show business is - you're there by somebody's fluke. And as long as somebody likes you, and the show is going well, you're fine. I'd do anything. There's so much I want to do.
No one would have picked me out in high school and said, 'This guy is going to be in show business.' I don't have any of the talents you would normally associate with show business.
I got to show off in front of my husband, who married me as I was stepping out of the business, so he had no idea that I could strut my stuff on the stage.
In 40-odd years in show business, some years I could do no wrong, and some years I could do nothing right. Show business. I owe it everything - it owes me nothing.
I worked at a local television station and I got a chance to direct and do all those things - worked kiddie shows, Ranger House show with the hand puppets and things like that.
