I came from the musical stage. My first show was '110 In The Shade.' I started as a ballet dancer and then sort of gravitated toward musical theater, so any time I got asked to sing or dance, it was a joy for me.
Patrick: You know, I used to be popular before Sam got me some good music.
Well, I actually first got into music as a small child, and as I became a teen, I sought out making money from music, weather that was singing lounge gigs, backup in studios, or weddings.
Kids are taking music for free all the time. They have Spotify, Pandora... The record companies aren't making the kind of music that they used to make. Artists make their money on tours, not from album sales.
I always wanted to make an album, but I knew that I didn't want it to be a musical theater album. It's not that I don't love them - I own every musical theater album ever made - but it just didn't seem right for me.
I love arranging my music, not in alphabetical order but by mood, creating playlists for when I have energy and want to work out or go-out party mixes and music to chill out to.
I would like a man now who is rich, and who can give me a boat - a sailboat. I want to own it and let him pay for it. My first love is the sea and water, not music. Music is second.
That's what I love about those old movies - the music is like a constant companion. Even in scenes that aren't particularly dramatic, like a woman checking her watch, you hear the music as a comment on that action.
I would love to have a varied career, like Hugh Jackman. He started in musical theater, then established himself in film, but he still does a lot of stage work. And he does it all beautifully.
My liberty is about living. It's about spreading more love. Even though I was always a peaceful, loving individual, my music sometimes didn't reflect that. But now it's different. My music is reflecting the way I feel.
People like music when they're in love, but they don't need it as much. You need music when you're missing someone or you're pining for someone or you're forgetting someone or you're trying to process what just happened.
I actually write film music because I'm classically trained on the piano so as well as songwriting I also write actual film music that could be used for movies like war movies and love movies.
I equally love both, classic rock and hip-hop. I love all music, really, and I really use classic rock a lot. I'm heavily influenced by that melodically in my music. I can't really separate the two.
Holland was one of the first countries to adopt dance music into their culture, and we were the first ones to have really big raves. I grew up in that atmosphere in the early 1990s, and I was very interested in how dance music was made.
Film was something that I didn't see as a step up from music videos, though obviously, music videos, the fact that you work with a crew and a film camera, are the closest to film I've ever been. That is the only schooling I've ever had.
There's only one music video that had an emotional impact on me, and that's 'Hurt' by Johnny Cash. That's exceptional. There is no music video I can think of apart from that one that really reaches you inside.
I have no musical talent at all. I was banned from music classes and told I would never be able to understand anything. I still don't think I can sing, but somehow I get away with it.
How we absorb music is unique. I know what I do. When I'm listening to music, I tend to find myself in a song. That's what really makes you connect is if you feel what that song is saying.
I just wanted to be a composer; I became an actor by default, really. I got a scholarship to a college of music and drama, hoping to take a scholarship in music. But I ended up as an acting student, so I've stuck with that for the last 50-odd years.
I haven't heard any music on the BBC World Service in a long time. Maybe I'm listening at the wrong times. But not one single piece of music.
I listen to music two ways: As a person, you have an instinctive, personal, emotional response. But as a music supervisor, you have a secondary response, which is, 'Will this sit well under dialogue?' 'Can people die to this?' 'Can people kiss to thi...
