I love my music, so I want to produce, write, and serve my music. I've had to learn about EQ frequencies and programming and space and clutter and how to be a better piano or bass player - everything.
I was born with this love for music, and I say 'born with' because I don't really remember a day waking up and deciding that I'm going do to music. It's been all I've ever done and all I've ever wanted to do.
You can still make music that people love, but there won't be more innovation. I started listening to electronic music a long time ago. But mostly I listen to rap. I think rap is the most interesting.
I give my heart in every single session I've done, and I get into the music. I love all kinds of music, and I try and really be as authentic as possible and give from my heart.
I'm a B-boy at heart. I still like rhyming. It's just the radio game is like Chinese arithmetic. It's hard to know what nuts to crack. But I still love music, been dropping music. Never stopped, really.
I write plays, and I have a musical that's starting to get produced now. That's what I would love to do, but it's so hard. The only reason people are reading my plays and musicals is because I'm in movies.
I love music, that it changes so much, but I also want to keep a bit of the country roots to make it country. I don't want to go too far away from it, or I would do pop music.
Snatam Kaur is a yogini, and I find her music deeply spiritual. I feel more love and I feel more peace when I listen to her music.
I love singing! I was a musical theater girl in high school. We were always singing and dancing around, and just doing little community theaters and high school musicals. Then, when I got to NYU, I focused more on drama.
I just fell in love with his music. I thought Yanni was Japanese. I didn't have any idea what a Yanni was. I just thought I was in love with a Japanese man who wrote beautiful music.
And the rain drops kept falling like the sweetest music leaving tears on the glass, which is what music does to me most of the time but silence too. and rain.
'Evita' was four pieces of slick paper and a record album. It's the most scary, to sit down and dictate a musical scene by scene. It was a musical unlike anything I'd ever seen before myself.
Music is stored in our long-term memory. When we learn something through music, we tend to remember it longer and believe it more deeply. Dr. Joyce Brothers
I got into musical comedy because of Shakespeare, not because of singing. They needed someone to understudy Richard Burton. I was also going to musical auditions because the agent I had insisted I go to them.
Music is like medicine. It can bring relief to the aches and stressful situations that life brings. We live in a world of music. There is sound and rhythm everywhere we go!
When I was coming up in high school, if you wanted to be in the musical it was during the winter, so I had to choose between playing basketball or being in the musical. And I ended up playing basketball.
I've always sung. I was really into musical theater when I was growing up. As a kid, I listened to Ella Fitzgerald and Nina Simone, actually, on cassette tapes.
I was a musical theater major at the University of Arizona. And I primarily trained with Marsha Bagwell. It was a classical program, so we did Chekov and Moliere and a lot of Shakespeare.
I've always been really artistic. I went to an all-girls' private Catholic school, and one of their biggest things was musical theater. I became obsessed with that.
But I wish they would make a musical of some kind. I miss musicals so much. You don't see them anymore.
With a musical, you kind of have to do a mind-meld with the book-writer, the lyricist, the composer, the director - sometimes the producer. I think that's a reason why musicals are the hardest form.
