I was able to do concerts all the way up until two weeks before I had the baby; I thought I was stopping a month ahead, but he was three weeks early.
To do more of a concert thing, it takes so much preparation. You don't just show up and wing it. You're putting countless hours in the studio, not just to write and produce stuff, but to come up with edits and special things for the show.
I wasn't the kind of person that liked waiting for autographs or following them, I just liked to go to the shows, study their records, driving many, many hours to different states to go to concerts.
Narration, after all, isn’t just a literary function. It represents the human capacity to tell stories in such a manner that they yield meaning. Television replaced this concerted quest for meaning with a frantic pursuit of wonder.
When you see a crowd of people jumping up and down at a pop concert, all gloriously in the moment, I don't think you'll ever see a comedian there. They'll all be standing at the sides, looking at how it all fits together.
A Kiss concert experience is like sex or anything else that's done with more that one person. It's the give and take that makes it so great. When the audience takes it to the next level, we can kick it up another notch.
It's wonderful doing concerts in places like New York and London, but I feel a responsibility to also bring my work home, to bring world-class, classical music to Somerset.
I'm a firm believer that lighting affects mood, and twinkly lights on strings bring something magical to occasions ranging from concerts to weddings, though I'm fond of using them as year-round home decor.
The first real concert, other than going with my dad to see Three Dog Night, was Smashing Pumpkins and Garbage. I was fourteen or fifteen. I liked Shirley Manson because she reminded me of Annie Lennox. They both have these deep, sexy, powerful alto ...
I made a very concerted decision to go to drama school in the United States. But I did have the opportunity to go to Britain's Central School of Speech and Drama, and my dad and I had a few tense words about that. He wanted me to go to British drama ...
I was going to be a concert pianist, and when I was in high school, my parents were scared to death that I would focus too much on that too soon. And that I'd end up in some sort of dead end, and not fulfilling whatever potential they thought I had.
My experience as a school nurse taught me that we need to make a concerted effort, all of us, to increase physical fitness activity among our children and to encourage all Americans to adopt a healthier diet that includes fruits and vegetables, but t...
I mostly play old period songs, as they suit a ukulele more. I bought it when I saw the tribute concert to George Harrison. Joe Brown came on and sang 'I'll See You In My Dreams,' and there wasn't a dry eye in the house.
In a sense, the god we trust politically is a slightly different god than the one we bring into the fray when we enter a rock concert. One of the things I can say with absolute conviction is that I worship that god.
I would quite like to play a big concert as Freddie Mercury. I can't sing that great and I haven't yet found a use for the over large size of my teeth. I quite fancy a mustache like that and he was such a great showman.
I was lucky enough to get to perform on stage in front of 20 million people on TV, and 150 thousand in concerts. For 15 minutes I got to be a rock star, the 15 minutes is great! It turns into Spinal Tap after 20 minutes.
I went to a Radiohead concert with Mr. Aaron Paul and became instantly hip. He's a great tweeter and took a photograph of the two of us. He said, 'Man, look at this! We've already got 800 hits in five minutes!' So this old dog became hip.
I went to a boarding school when I was 13, and it was a very arty school, so there was an opportunity for a lot more. I joined a band and so on. We would do concerts at school, and I would play cover tunes and thought, 'This is really great.'
The way I feel today, as long as my health is good and I can handle myself well and people still come to my concerts, still buy my CDs, I'll keep playing until I feel like I can't.
But we will play 6, 7 new songs each evening, approximately a third in the concert. I think it's a good balance. It will be very interesting to see the public's reaction. But i think when we'll play the very first new piece, we will be scared.
We tune differently, and we use some tricks. There's just the two of us for much of a concert, so we want a big sound. We do use some guitar effects, distortion and delay. Playing cello with distortion sounds so good.
