I don't mind doing the green-screen stuff at all, and in fact it's a lot like black-box theater, which I did plenty of in New York.
I've worked with a lot of really fine actors, both on stage and on screen. The level of their game lifts me up and brings the level of my game up to theirs. Always. It's like a constant upgrade.
I remember all too well the premiere of Ecstasy when I watched my bare bottom bounce across the screen and my mother and father sat there in shock.
One might say that our words are a movie screen that reveals what we have been thinking and the attitudes we have.
We save limited resources in terms of who we are physically screening. The approach will allow us to pay more attention to those potential terrorists.
I'll never forget the first screening at the Berlin Film Festival. As soon as the film ended there was an outbreak of booing, which made us look at each other with some surprise.
I can think of nothing more boring for the American people than to have to sit in their living rooms for a whole half hour looking at my face on their television screens.
Because people see violence on the movie screen, they're not going to go out and hold up a liquor store and kill somebody. It really doesn't correlate.
The souls you have got cast upon the screen of publicity appear like the horrid and writhing creatures enlarged from the insect world, and revealed to us by the cinematograph.
When I was a kid, I used to deliver the newspaper all over town, cramming papers between screen doors and into mailboxes and under doormats.
We were talking about the kissing in the movie just recently. Clearly, it's pretty challenging material, but Ang said two men herding sheep was far more sexual than two men having sex on screen.
I want to be on the screen, I want to play dress up every day, I want be different people, I want to have fun, and I want to use my imagination.
I put a lot of time and energy and thought behind what I do and the characters that I create, and I don't want to do anything peripheral that is going to make an audience see me up there on the screen rather than who I'm playing.
I remember being infuriated from the top of my head to the tip of my toes the first time a screen was put around Bob Carter and me on a train leaving Washington in the 1940s.
My first film, 'Like Minds,' was with Toni Colette, who was extraordinary. I mean it was basically a mini-masterclass for acting on film at a time when all you could probably see were my eyebrows bouncing up and down on screen.
I was asked to go to Cannes to present Amores Perros. And little did I know that this film would be huge. I saw it for the first time in Cannes, and it was the first time I'd seen myself on such a big screen. And it had a huge impact on me - it was t...
You can still have chemistry on screen without getting on with the person. But it just makes your job a lot easier if you don't have to gird your loins, if that's not quite the right phrase, every time you're going to do a scene with that person.
Some researchers sensibly suggest that rather than worrying too much about which programs our children are watching, we should concentrate on trying to reduce the total amount of time they spend in front of the screen.
In a time not distant, it will be possible to flash any image formed in thought on a screen and render it visible at any place desired. The perfection of this means of reading thought will create a revolution for the better in all our social relation...
Lines on screen: They say it's the last song. They don't know us, you see. It's only the last song if we let it be.
Rhomann Dey: [from trailer] Rocket: wanted on over 50 charges of vehicular theft and escape from custody. [Rocket snarls and spits at the screen]
