Joe Gillis: I didn't know you were planning a comeback. Norma Desmond: I hate that word. It's a return, a return to the millions of people who have never forgiven me for deserting the screen.
It's not in my nature to chop people's heads off, per se, or rob a bank or any crazy thing I've done on screen. I'm just comfortable reading a book or spending time with my wife and my daughter or watching the fight on TV with the fellas.
People are not used to seeing an older woman on screen, unless she's playing a character role. Why can't they make a movie about a woman who's forty-five who's falling in love or getting divorced? Why does the leading role always have to be a woman w...
I love movies, of course. 'Terminator 3' and 'Bad Boys II' - lots of action. Sports movies, action movies, comedies - I'll go to those, but not 'las de amor.' Not romance. It's not that I don't like love, but on the screen it bores me.
I love film and TV, the medium of them, just because it's such a smaller screen. It's much more precise. Ideally, I'd like to do maybe a film a year of some sort and use that to work more in the theatre because theatre really is my first love.
I have straight married friends that other friends think are gay, and I have gay friends who don't throw that vibe at all. I know there's a full range out there, but I feel that gay men who aren't flamboyant are underrepresented on-screen.
Almost the first thing you see after entering the Houdini exhibition at the Jewish Museum is a large-screen film of Harry Houdini hanging by his ankles upside-down from a tall building, high over a sea of men in fedoras, and thrashing his way out of ...
What we're doing with Band of Brothers is trying to put it into human terms, so it is not just a flickering, black and white myth on a screen, it is a resonant story. I want the audience to recognize themselves in these men. They're not just mythic h...
I only pay to take my son to the movies, because most of the time I only watch European movies, independent movies, or screen them privately. But I like to go to movies with my son because it's still fun; it reminds me of why I make movies.
Actors are steeped in a world of agents and where the next job is coming from and what are their expenses and what is the hotel like. You want to take them out of that world and dump them into another world, so that when you meet them on the screen t...
I don't watch the movies I make, so I haven't seen 'Footloose' since it came out. You see this young, hungry actor, it's pretty fun. I was the only one they screen tested. It was an attempt by the director and producer to talk the head of the studio ...
There were some television sets back in the '50s, but they were expensive. People would gather at the rich guy's apartment down the hall to watch Milton Berle on his 10-inch black-and-white screen.
Back when I was a professional model-maker at Industrial Light & Magic, my specialty was hard-edged construction - spaceships, miniature sets, and architectural stuff. These objects were sometimes just 12 inches across yet needed enough detail to fil...
I'm not going to go to the local theater to spend $12... when I can get a screening copy of a film. I don't get screeners myself, but I can borrow from my friends or go to their house to watch.
It's useless to try and make rhyme or reason of it, because one guy thinks one thing and the other guy sees a whole other thing. So I try not to take them too seriously. Lately I have them screened so I only read the positive ones.
Oftentimes, when we think of 3D, we think of things coming out of the screen, but actually, you've got this zero, this negative space, what they call the negative space, which is the scene, what's being filmed in the positive space of the audience. A...
What I got, unconsciously, from admiring Fred Astaire was that he didn't want what he was doing to look difficult. What was difficult, in my opinion, was making it look so genuine, so effortless. I equally have tried to remain unseen on the screen.
If in my twenties I'd gotten one of the two-dozen roles that I did screen tests for and almost got, I think I would have become bored with the awards circuit, the whole hype machine.
It's such an awkward, strange thing that was concocted, to have auditions. Back in the old days, you'd just have a screen test, and they'd say, 'Oh, you seem natural in front of the camera,' and you'd just go do 10 pictures for Paramount or whatever.
Our normal waking consciousness, rational consciousness as we call it, is but one special type of consciousness, whilst all about it, parted from it by the filmiest of screens, there lie potential forms of consciousness entirely different.
So I feel a responsibility to help first-time film-makers in Brazil, but also to increase the dialogue between film cultures which are really wonderful and so much closer to us than what we do see on our screens.
