I'm very serious about becoming a dramatic actor. I don't want to play cameo parts walking on as Carl Lewis the athlete. I want to go on stage or screen and be taken seriously.
I don't play long parts. They must be short parts, but they've got to be parts that mean something, that matter, where people will notice when I'm on the screen, and people will remember the character after they've seen the film.
Try driving the streets of Los Angeles without seeing a billboard depicting a film with a lead actor holding a gun. It's almost as if guns are harmless props used to bring out the cheekbones and jawline of the screen star.
I'm not sure I agree with the thesis, because I think that even though something grotesque or gross has been part of film since way back, what we accept or what we can get away with on the screen is broader now.
How do you explain certain physical qualities that somehow sell on screen? You're born with it... Certain people are just more watchable, and I was more watchable, but I don't think I understood acting or drama very well when I was a kid.
Americans who have travelled and who have English friends know we are not necessarily all baddies, but I think that seeing us being so incessantly nasty on screen has a drip, drip, drip effect on the rest of them.
It really costs me a lot emotionally to watch myself on screen. I think of myself, and feel like I'm quite young, and then I look at this old man with the baggy chins and the tired eyes and the receding hairline and all that.
When Mrs. Bush was First Lady, she went all over the Mideast talking about breast cancer awareness and the need for early screening. She did this in places where the cultures prohibit such discussion or even detection efforts.
No story lives unless someone wants to listen. The stories we love best do live in us forever. So whether you come back by page or by the big screen, Hogwarts will always be there to welcome you home.
Los Angeles is a city of few hard targets. Its iconic buildings are private spaces, mostly residential, visible by invitation only or in the pages of a Taschen book. Its central industry is as mirage-like as the projection of light on a screen.
It's an embarrassment of riches because you have directors who don't better. You end up with so much stuff going on the screen that you don't know where to look, and that's what I consider self-indulgent.
As with sound, images are subjective. You and I may not see the same color red as red, but we will probably agree that the image on the screen is a digital image or film image, based on contrast, bit depth, and refresh rate.
Growing up, I would have to say I loved 'Peter Pan' because I was fascinated by Captain Hook; I was fascinated by Hans Conried, who was an actor on screen and also a theatrical and television actor.
The Ideal This is where I came from. I passed this way. This should not be shameful Or hard to say. A self is a self. It is not a screen. A person should respect What he has been. This is my past Which I shall not discard. This is the ideal. This is ...
On the screen I saw tanks rolling through dusty streets, and fallen buildings, and forests of unfamiliar trees into which East Pakistani refugees had fled, seeking safety over the Indian border.
I was so grateful to have made 'Into the Wild' before I made 'Speed Racer' because on 'Speed Racer' I was indoors every single day, every single scene, on a green screen. Some of the time, just to pass the time, I would think back to climbing mountai...
My own musical ambitions were born when I was five, watching the Ed Sullivan Show on TV. When Elvis Presley burst on to the screen, singing 'Don't Be Cruel,' I felt my first sexual thrill, though I didn't know what it was at the time.
A century ago, scientists believed there was only one obvious stomping ground for alien biology in our solar system: Mars. Because it was reminiscent of Earth, Mars was assumed to be chock-a-block with animate beings, and its putative inhabitants got...
None of the actor methods ever discussed what it would be like to play a character on film for over a decade, and what it must be like to return to a character and imagine the time off-screen, which is interesting. There's something as an actor that ...
[the readings Agatha is giving run quickly on a makeshift screen] John Anderton: It's too fast. Slow it down. Rufus Riley: How do I slow this down, I should hit her on the head?
[last lines] Django: Hey, believe me, that story gets better when I tell it, okay? [laughs, then turns to someone off-screen] Django: Come on! Bring some food over here! We're starving!
