Larry Lipton: My life is passing before my eyes. The worst part about it is that I'm driving a used car.
Larry Lipton: I'd fix Ted up with Helen Dubin, but they'd probably get into an argument over penis envy; the poor guy suffers from it so.
Larry Lipton: This guy gets his jollies from licking the back of postage stamps. Ted: I can see that, depending on who's on the stamp.
Elizabeth: [singing, while having sex with the monster] Oh, sweet mystery of life at last I've found you! At last, I know the secret of it all!
High Romanticism shows you nature in all its harsh and lovely metamorphoses. Flood, fire and quake fling us back to the primal struggle for survival and reveal our gross dependency on mammoth, still mysterious forces.
There's nothing more powerful than a woman who knows how to contain her power and not let it leak, standing firmly within it in mystery and silence. A woman who talks too much sheds her allure.
The power of affinity lies in its mystery: the way it stands outside everything logical; you step into a crowded room and see a stranger, and somehow you feel you know her better than you know the friends you came with.
They've also asked me now to start on another series that we're gonna do after this Frontier Earth. But it's not science fiction, it's more in the Mystery and Crime division and that's another area I'm very interested in.
The success of the suffrage movement would injure women spiritually and intellectually, for they would be assuming a burden though they knew themselves unable to bear it. It is the sediment, not the wave, of a sex. It is the antithesis of that highes...
I love mystery novels... I love seeing the dramas played out in academic departments, particularly English departments. I started reading these when I was going up for tenure.
I consider myself Istanbul's storyteller. My subject matter is my town. I consider it my job to explore the hidden patterns of my city's clandestine corners, its shady, mysterious places, the things I love.
The problem is that music is selfish in that you need to make it for yourself, so that you can give it away, and those two things don't jive. I needed to find the right reason to play that had the magic and mystery and excitement that made me want to...
To me, music's something I can dance to or listen to. To write about it is always more of what the music represents, or what it reflects. Like an ideal song, to me, is a song that you can dance to, that summons up some darker and greater mystery.
When I was growing up, my idea of a writer was someone like Sven Hassel, that mysterious Danish author who wrote thrillers about men clambering over walls and getting tangled in barbed wire.
In 1986 we were trying to help women get in print, stay in print, and come to the attention of booksellers and libraries. At that time, books by men mystery writers were reviewed seven times as often as books by women.
I just gravitate to movies where the mystery is the character himself. Any time you see a trailer of something where somebody is questioning 'Who am I?' I'm hooked.
Here's the most mysterious thing to me. I look back at those first plays I did and the first movies I did, and I only have one question, which is, 'What was I so confident about? Where did I get that?
Doc: The time-traveling is just too dangerous. Better that I devote myself to study the other great mystery of the universe: women!
As a rule, said Holmes, the more bizarre a thing is the less mysterious it proves to be. It is your commonplace, featureless crimes which are really puzzling, just as a commonplace face is the most difficult to identify.
It is not as though the process of production holds any mystery for me, I know exactly what it involves and I know the predominant concern in shooting one of those things is production values - or as they would say, seeing it all up there on screen.
Childhood is a fundamental part of all human lives, parents or not, since that's how we all start out. And yet babies and young children are so mysterious and puzzling and even paradoxical.
