In TV, and in particular in commercials, you don't really need to explain very much at all - you just say he's a spy and he's a little bit theatrical and overblown and smug and he's not very good at his job.
Sex appeal is a good thing for commercial cinema. Though I can't sit at home and consider myself a sex symbol, it is for people to do so. I want to be known as an interesting actor.
I was working with Bill Graham management at the time and it was obvious to everyone concerned that albums like Open Fire, while they were good for me creatively, were not going to be commercially successful.
We need more filmmakers of color telling the story. I'd like to see more filmmakers take their products out independently, put together a good commercial film and distribute it online.
When I read the 'Ugly Betty' pilot, I thought, 'Oh, this part's funny.' I said to my husband, 'I'm going to get it!' But based on what? All my exquisite comedic work in a Nike commercial?
I walked in thinking, 'I have ten movies under my belt and now they want me to go back to making commercials?' I said, if I do that, I want it to be funny.
I enjoy living in a nice house and having a nice life. So I do two or three commercials overseas a year to sort of fill in, because they pay pretty well.
I'm a big crier in general. The right life insurance commercial will take me out for a couple of days. I watched Hillary Clinton on the news the other day, and I got choked up by Hillary Clinton.
I've never done anything for money. My first love is things of limited commercial appeal. I could be happy doing Shakespeare for the rest of my life.
We kept a broad audience, and we didn't make fun of people who had necessarily made mistakes in their life and burned them to the ground. We made fun of a commercial or a movie or ourselves.
The association promotes a way of life, not causes; a harmony in living, not political faiths; a bilateral loyalty, not commercial or social projects. Yet it is an association for as noble a purpose as any involved in any prior decisions.
The people who were learning from me tended to be more commercial performers who were gonna rip off the salient idea to do it in a way that will sell, but they weren't going for the music.
I still do commercial work as an actor, which I love, because it's very quick, and it definitely pays my bills.
You know what I would love? I would love to be one of those actresses who can come out with a film or come out with a new commercial without the world knowing about it.
When I was six years old, a children's agent moved in next door to us, sent me out on a commercial audition, and I got the job.
My mother's illness fitted into this protest against the treatment of the sick who could not pay, the inefficiency of commercialism, the waste, the extravagance, and the poverty.
Just look at the messages today's media are sending everybody, from TV and commercials to actors and singers. Kids are just drowning in that 24-7 and it's getting really bad.
I realized I probably wouldn't make another film that cuts through commercial and creative things like 'Godfather' or 'Apocalypse.'
Generally I don't like doing remakes, but I think that's more in the cynical world of Hollywood where normally remakes are purely for commercial reasons.
I am proud being an artist who takes risks, who would walk off a cliff artistically. I won't settle for commercial reasons.
If ever there was a holiday that deserves to be commercialized, it's Halloween. We haven't taken it away from kids. We've just expanded it so that the kid in adults can enjoy it, too.
