My sister Mathilde is an actress, but more like a French Jennifer Aniston. She's famous just in France. She's very commercial and does big comedies. So, acting was part of my family, and that's how I was raised.
I left Mexico for artistic survival. If I had stayed, I would have been forced by the government, who control the movie business, to direct TV shows or commercials or infomercials for the government.
I grew up in the business since I was three years old so I've always kind of been in front of the camera and grew up in commercials and I knew that I wanted to do it no matter what, I just loved it.
The truth is an artist like me who doesn't get the type of promotion that we see more commercial artists receive, and especially in this climate of the music business, you have to be creative about how you promote yourself.
Our fathers were actually business partners in the same real-estate firm, and we got together and thought, How can we get a movie together and get distribution and create a new movie genre? We started by making satires of commercials.
There are many different kinds of PCs. You have fixed, virtual, tablets, notebooks, ultrabooks, desktops, workstations. What you find in commercial PCs, business PCs, is that there's a really long tail of usage on client devices.
I have made a promise to myself that I will have no limitations as an actor. I have realised I have to pay attention to the commercials or the business aspect of cinema, but deep inside, I am purely an artiste.
From the late 1940s, into and through the '50s, there developed a complex interaction between federal government, state and local government, real-estate interests, commercial interests and court decisions, which had the effect of undermining the mas...
A government institution called the Finnish Film Foundation funds filmmaking there, and I wrote several screenplays but never got any money. They were sent back to me, and they said that they were too commercial for them.
Even one's own home is a kind of anthology of advertisers, manufacturers, motifs and presentation techniques. There's nothing 'natural' about one's home these days. The furnishings, the fabrics, the furniture, the appliances, the TV, and all the elec...
While the Super Bowl still smashes records for butts in the seats, eSports often run longer and never blinks. There's no commercial break. There's no halftime show. From start to finish, someone is going to walk home a champion, and you don't want to...
It always depresses me when people moan about how commercial Christmas is. I love everything about it. The tradition of having this great big feast, slap bang in the middle of winter, is an essential thing to look forward to at the end of the year.
As slavery died for the greater good of America, and the movement for equality sputtered to life, the white woman was on the cover of every American magazine. She was the dazzling jewel on every movie screen, the glory of every commercial and televis...
People know that I have a great love for cinema. Not just for commercial cinema, but for the 'cinema d'auteur.' But to me, two of the great 'auteurs' are actually actors and they both happen to be French. One is Alain Delon and the other is Jean-Paul...
As any student of literature knows, the books that last are often not the books that are most popular when they are written. Both 'Moby Dick' and 'The Great Gatsby' were complete failures, critically and commercially, when they first appeared.
Throughout history, people have studied pure science from a desire to understand the universe rather than practical applications for commercial gain. But their discoveries later turned out to have great practical benefits.
I don't think I've ever seen pie advertised. That's how you know it's good. They advertise ice cream and other desserts. They advertise the bejeezus out of yogurt, but I haven't seen one pie commercial.
Government isn't that good at rapid advancement of technology. It tends to be better at funding basic research. To have things take off, you've got to have commercial companies do it.
I think hip hop is dead. It's all pop now. If you call it hip hop, then you need to stop. Hip hop was a movement. Hip hop was a culture. Hip hop was a way of life. It's all commercial now.
Of all the creative work produced by humans anywhere, a tiny fraction has continuing commercial value. For that tiny fraction, the copyright is a crucially important legal device.
I love smart commercial fiction. Susan Isaacs, for example and the readers who interest me are, in the preponderance, women. I am one of them; I like the books they like.
