Alarm voice-over: Red alert! Red alert! Red alert! Commercial girl: You crossed my line of death. Commerical mom: You haven't dismantled your MX stockpile. Commercial boy: Pakistan is threatening my border! Commercial dad: That's it, buster! No more ...
I never intended to become a commercial filmmaker in the first place. What I do requires time and experimentation. Commercial work is often not the best way to get the most innovative work, because it's about money and marketing. Although advertising...
I direct a lot of TV commercials and music videos.
Also, the commercial media in a superior position, really, to any other corporate lobby, because where would people hear about commercial media or corporate media criticism, where would they hear criticism of them other than in the commercial media?
Even when I do commercials, I try to tell a story about the product. With music, I try to tell the story of the person's struggle for success. And I believe every word I say. I never read anything on the air I don't believe in. I think people sense t...
I'm scared to death to fly commercial... I have not flown commercial since 9/11.
I wake up every morning bolt upright, whether it's a commercial, not that that's a good thing or a bad thing, because I shoot commercials in between movies. But whether it's a commercial or a movie where I'm shooting a major train wreck, the thing th...
Most advertisers spend millions upon millions of dollars to buy commercial time during the Super Bowl, and millions in creating eye-popping ads, hoping to create catchy, unforgettable commercials. Unfortunately, most Super Bowl commercials end up bei...
I did my own music videos, my own TV commercials.
The first part of my career, how I was paying the bills was commercials. I was just doing tons of commercials.
My work is not generally in the commercial sector. However, I'm not worried by the commercial sector. I refuse to work in any other way except the way that I work.
If you want to capitulate to what commercial needs are, you can always be commercially valuable, but I'm not interested in being that.
I think the concept of commercials, for example, I have had offers to do songs in different commercials, and it is not what I have liked.
I've decided something: Commercial things really do stink. As soon as it becomes commercial for a mass market it really stinks.
My first commercial was an Old Navy commercial where I stood in line in front of a club, and Fran Drescher was in it.
I loved cutting together simple commercials about margarine or soft drinks - all kinds of silly products - but I tried to make the commercials different.
I think we have the wrong notion of commercial and intellectual or artistic film. Because all films are commercial.
In the beginning, it wasn't even a question of deciding I'm going to do independent film and not commercial films - I wasn't being offered any commercial films, and there wasn't an independent scene.
I read rip-and-read news, but I wasn't a reporter. I was reading the wire, and the other thing was, I was reading commercials - and I could do a hell of a commercial.
I think I'm commercial underground. I'm not commercial in the way that people consider 'pop,' but I'm not underground in the way that people consider that. either. I am just a cool guy.
I think the challenge in hour television or half-hour television is that the more it's around, certainly on commercial television, the less time you have to tell stories these days, because the more commercials they're putting in.
