It dawned on me that comics were not an intrinsically limited medium. There was a tremendous amount of things you could do in comics that you couldn't do in other art forms - but no one was doing it. I figured if I'd make a try at it, I'd at least be...
...when you look at a photo or realistic drawing of a face, you see it as the face of . But when you enter the world of the , you see yourself.
Il terrore non è niente, se non è accompagnato da qualcosa di visibilmente orribile. Non riesce a entrare sotto pelle in maniera disgustosa se non c’è niente in grado di nutrire la mente.
We were always drawing comics as kids. My brother Charles made me draw comics. I was very much under his domination. He was actually a much stronger artistic visionary than I was.
My theater nerd world and my comic friend world are colliding... That's the thing that I was nerdy about, was theatre. I wasn't as much into the comic book stuff. So it's fun to see there are people that are into that that are also theatre nerds like...
I don't like 'graphic novel.' It's a word that publishers created for the bourgeois to read comics without feeling bad. Comics is just a way of narrating - it's just a media type.
Oh yeah, I grew up with comics. You know, I always like to describe myself as a 'narrative junkie.' I love novels, I love comics, movies, TV. If it's a good story, I'm hooked.
One thing I think is that comics are really good at expressing emotion. I think there's a way that comics characters can be drawn not-realistically, but the emotional reality is still very sincere. So you can have these exaggerations that express inn...
I think the problems with comedians that are political, and there are some brilliant ones, are the ones that offer no solutions. Not that there's a moral obligation for a comic to fix things, but I like to see a comic that's upset about something and...
But I couldn't draw as fast as she requested. Thus, I tried to create the worst abomination of a comic that I could, so as to make her not want comics anymore. That abomination, my friends, was Happy Noodle Boy.
There seems to be a peculiar kind of clamor for comics. And I'm not sure how much a part of reality that is. I think partly it's based on some idea that comics are what everybody wants to read - and I don't think that's the case.
I have this certain vision of the way I want my comics to look; this sort of photographic realism, but with a certain abstraction that comics can give. It's kind of a fine line.
Then is when I decided to take it to Archie to see if they could do it as a comic book. I showed it to Richard Goldwater, and he showed it to his father, and a day or two later I got the OK to do it as a comic book.
I've never been to Comic-Con, but I'm certainly aware from this side of the Atlantic that it's a very important part of film marketing now, even when the films are not directly linked to a comic.
I actually come from comics, and I'm big on comics. I was reading 'Walking Dead' from the beginning. Then just being on the show, I was really lucky to work on episodes like 'Pretty Much Dead Already' and 'Clear.' I worked a lot on episodes that I di...
I came to think that nobody from England could draw American comic books, because they were clearly all done by this sort of Mafia, all these guys with Italian and Irish names who had the whole thing sewn up. It was actually seeing a comic book drawn...
I was always most interested in drawing - most of my childhood drawings are black-and-white line work. And when I kind of abandoned comics, through college and art school, I was doing a lot of painting. But once I started doing comics again, everythi...
Science, the agent that once promised to eradicate the supernatural, had, through the nuclear threat, resurrected it. Magic was not exactly alive, but it was surely undead.
I thought about how all that mattered, in all entirety, and all I wanted, and all I could see anything being worth anything for, was being a writer.
Art, as I see it, is any human activity which doesn’t grow out of either of our species’ two basic instincts: survival and reproduction.
To my mind, the most successful and the best comic book illustrators are those who translate the real world into a consistent code. If you look at Jack Kirby or Steve Ditko, their drawings look nothing like the real world, but they are internally con...
