From as long as, literally as far back as I can remember I've liked puns, word jokes, I can literally recall looking at a comic at the age of six or seven and I remember what I enjoyed and what it was precisely and how the joke worked.
There's a widespread cultural barrenness across art and political culture. But there are some pockets of resistance on the extreme margins, like the techno-savvy protest movements, small press, the creator-owned comics, that seem to be getting some s...
I'd have to say that the things that mean the most to me are the examples of original comic art that I'm able to look at every day, most of them either by notable friends and/or for projects that I've worked on.
I think I've been able to build up a wide range of styles in storytelling, using comics in different ways from project to project. I think my art has become more accomplished, although I try to keep it from becoming slick or superficial.
You know, comics were created at the same time as the cinema. And the cinema very quickly became a major art. Cartooning didn't become a major art. There's a reason for that. People don't know how to deal with drawings.
I'm like the Davy Crockett of comedy... after Davy Crockett opened up the West and helped everybody... they didn't need him anymore. I freed a lot of comics... if I never would have done comedy, it would've been a different art form... I'm sure of it...
One thing that most comic artists avoid is showing decisions. They show action, sure, and they show results, but they don’t show (because it’s difficult to show) the hero or the villain making a choice.
I hate it when I'm reading a comic, and the dialogue looks like stickers stuck on top to explain what's going on. For me the best is when your eye goes in a certain point and moves through the composition and then springs out on the dialogue, or gets...
The DC Universe has the best villains in fiction, right? I don't think there's any group of villains collectively or anywhere else that come close to DC's. Joker, Cat Woman, Lex Luthor, are all staples. A lot of the comic book icons are fiction icons...
The best place to find material is in real life. I've always maintained that it's not until the mid-20s that you have enough of a life to draw from. There's nothing better for a comic than to go through some bad stuff - and some good stuff, like gett...
I miss seeing real comics, Shecky Greene and Buddy Hackett, those types. I like straight stand-up, talking about the Olympics and why I feel obligated to watch them. 'Why am I watching archery at 4 in the afternoon?'
I don't think I have a demographic. I was at Comic-Con in San Diego recently, and I was doing a signing, and my line was all military guys, young girls, housewives and guys in wheelchairs. There was just everybody all over the place.
With comics, you've got to develop some kind of shorthand. You can't make every drawing look like a detailed etching. The average reader actually doesn't want all that detail; it interferes with the flow of the reading process.
I have fooled life and life has fooled me. We are quits. I say good-bye. Think sometimes in the hour of happiness of your poor, comical fool who loved you truly and so well.
I think musical theater fans - obsessive fans - are very much like Comic Con fans in our personalities. We're very possessive, and we're very obsessive, and we're very critical. So don't screw with our stuff.
I suppose I would still prefer to sit under a tree with a picnic basket rather than under a gas pump, but signs and comic strips are interesting as subject matter.
It works in the comic book, but as the audiences have gotten older and more sophisticated, I think the stories need to grow up with them. This is a story about a couple of rival gangs and what goes wrong in a couple of days.
Artists forget than the first purpose of a comic character is to convey emotion. Everything else, like realism, or other kinds of virtuosity, is an optional extra. If you sacrifice expression for the sake of other concerns, you're putting the cart be...
I created lots of characters in high school and college, and the first character I created in pro comics was Liana, Green Lantern of M'Elu, for a backup story in 'Green Lantern #162,' my first professional sale.
Kevin was sitting on the railing waiting patiently and looking up at the sky with his mouth agape in a totally comical way. Kayn walked up beside him and teased, “Trying to catch flies?” (The Children of Ankh series) Kim Cormack
What I've found in my career is that 70 to 75 percent of comics are nice and have some sense of social skills, but there are those who end up in comedy because they don't know how to socialize. I don't want to deal with that group.
