I grew up in a family of filmmakers, so I always wanted to make films about animals, especially comical films. Something about animals amuses me. And they have a great mystery. It's the same mystique some people might feel looking at the stars or the...
Al Plastino helped redefine Superman in the 1950s. His work on 'Superman's Girlfriend,' 'Lois Lane,' 'Adventure Comics' and pretty much any title in the Superman family will be fondly remembered for years to come. He will be missed.
When my brother and me got into performing in the late '40s and early '50s, it was a sensational opportunity to learn from our elders. Every show we played had a dancer, a comic, a juggler, a singer, an acrobat. I came to appreciate virtuosity in all...
I remember my father, who was 'somebody' in the synagogue, bringing home with him one of the poor men who waited outside to be chosen to share the Passover meal. These patriarchal manners I remember well, although there was about them an air of bourg...
I do believe that sci-fi or historical fiction finds an easy home in comics because there are no budget constraints in regards to the necessary world-building or visual effects necessary to bring those stories to life in other mediums.
I really like dating stories, like in Betty and Veronica comics; I like David Lynch and H.P. Lovecraft for the dark gut-wrenching stuff, and I'm inspired by Miyazaki's films for the subtle heart-warming moments, as well as the moments that blew up my...
I do these conventions sometimes. We've been doing a lot of 'The Vampire Diaries' conventions, but I do Comic-Con and stuff all over the world. They can be taxing, and they can take it out of you a little bit, but it's just great for the fans.
Comic-book pages are vertical, and movie screens are relentlessly horizontal. But it's all the same form. We use different tools, but we get the job done. I'm completely in love with CGI. It's great for conveying a cartoonist's sense of reality.
In comedy, it's not the glamorous, beautiful people that are great at comedy. They're either every man or every woman, they're either quite tall and lanky or shorter and fatter or have a big nose. They have something physically about them that makes ...
Personally, I really enjoy sci-fi. I watch it, I read comic books, and I play video games. I love this kind of world, so to be able to work in it is a dream. I enjoy it. It's all good.
All comic books take place in built environments, and I was very good at drawing people and animals, and stuff like that, but I hadn't spent much energy drawing buildings. So I thought, maybe I could, and then I became an architect.
Hollywood loves pre-validation. Even if someone has a property that was first published as a comic book that sold only 5,000 copies, for Hollywood, that is a stamp of approval. 'Oh, it was already published in another medium? Must be good!' They get ...
I think it's good that we're not embarrassed that we're comic book creators anymore. It's good that people are able to make a good living at doing it, and not doing the traditional sort of mainstream fare.
What I love about 'The Walking Dead' is it's a human story, which is to me what makes the comic book so good, but once you jump from the pages of the book to the screen, the gore and the zombies have to look great.
I want to point out to adults that there is a world of good material available to you now in comic form - in this medium - and learn to give it your support because the more you support it, the better the material will be as it comes out.
Since it's based on my parents, it's more emotionally close to me than some of my more surreal plays. And then I like the balance of the comic and the sad. It should play as funny, but you should care about the characters and feel sad for them.
I've thought for the last decade or so, the only actual place raw truth was seeping through in newspapers was on the Comics Pages. They were able to pull off intelligent social comment, pure truths not found elsewhere in the news pages, and had the a...
If you record the world honestly, there's no way people can stop being funny. A lot of fiction writing doesn't get that idea, as if to acknowledge it would trivialize the story or trivialize human nature, when in fact human nature is reduced and fals...
I started on the original comics from Stan Lee and all the artists and storytellers did from there, and I got to the graphic novel that Chris Clairmont did, which is the one Stryker comes from - 'God Loves, Man Kills', which is a brilliant story.
I thought they may have presumed too much knowledge of certain things for people who are not comedians. Like Montreal. A comic understands what it is and its importance, but someone else may not know about it.
Writing this book feels like a completely different activity from writing my comic strip because it's about real life. I feel like I'm using a part of my brain that's been dormant until now.
