[from trailer] Liesel Meminger: Who is he, papa? Hans Hubermann: His name is Max. He needs help. I need you to promise me that you will not tell anyone
I did have a child, and I was reading a lot of picture books to her, but at the same time writing a children's book was something that I'd been wanting to do for many years, pretty much since the start of my career.
Few are sufficiently sensible of the importance of that economy in reading which selects, almost exclusively, the very first order of books. Why, except for some special reason, read an inferior book, at the very time you might be reading one of the ...
Book reviewing dates only to the eighteenth century, when, for the first time, there were so many books being printed that magazines - they were new, too - started printing essays about them.
I believe we should spend less time worrying about the quantity of books children read and more time introducing them to quality books that will turn them on to the joy of reading and turn them into lifelong readers.
Listen, I wrote 10 unsuccessful books before I broke through, so I'm looking all the time to keep my books fascinating. I want to write what people want to read, not push any message.
I lived for four years in the 1930s with these individuals and the only time that I wasn't thinking about dealing with physical suffering is when I was working on this book. I've never been more alive as when I worked on this book.
[after Mr. Hand is imprinted with Murdoch's memories] Mr. Book: Is it done? Mr. Hand: Oh yes, Mr. Book. I have John Murdoch in mind.
Skip: [townspeople are burning library books] Mary Sue, it's better this way! Jennifer: This is the only book I've ever read in my whole life, and you're not going to put it on that fire!
[Book is having trouble milking a cow] Eli Lapp: You never had your hands on a teat before. John Book: Not one this big. [Long pause; then Eli Lapp roars with laughter]
Normally I would not recommend a book that tells you how to make money in the stock market. Most of these books are aimed at gullible folk, and they usually make much more money for their authors than they do for the investing public.
I think if a book has the power to move a reader, it also has the power to offend a reader. And you want your books to have power, so you just have to take what comes with that.
I remember that I used to get lots of books from the library, and 'Little Women' was one of them. And I used to just cross out the parts of it that really upset me because it's such a sad book in so many ways. I'd cross out the parts that upset me, a...
Getting a book published made me feel a little bit sad. I felt driven by the need to write a book, rather than the need to write. I needed to figure out what was important to me as a writer.
As a kid I was fascinated with sports, and I loved sports more than anything else. The first books I read were about sports, like books about Baseball Joe, as one baseball hero was called.
Hardcover books are fairly expensive these days and to read one requires a significant commitment of time in our busy society. So I want to make sure that when readers buy one of my books they get something they're familiar with.
The coolest thing about the series is that we stay very true to the books; it would be silly for us not to, because the books are exactly what the fans want to see. There's an action side to it, which I love, and there are werewolves now. There aren'...
All my books are about one major idea and two or three subsidiary ones. I have thought a lot about music when constructing books, and I like the way in music that themes come back.
When you go on book tour, you're always talking about yourself and your book from the time you get up in the morning until you go out at night. You, you. You get really sick of yourself.
In 1986 we were trying to help women get in print, stay in print, and come to the attention of booksellers and libraries. At that time, books by men mystery writers were reviewed seven times as often as books by women.
[in a bookstore] Philip Marlowe: You do sell books, hmm? Agnes Lowzier: What do those look like, grapefruit? Philip Marlowe: Well, from here they look like books.
