I ended up reading comics and just started drawing at a very young age. By high school, I was putting together longer stories. In college, I started doing strips for the newspaper and doing mini-comics. It sort of grew in scope and scale over time.
I'd like to see the comics' style expanded. I'd like to see artists synthesize traditional comics arts style with fine-arts styles or whatever. I like to see innovation. I don't like it when an art form becomes stagnant.
It dawned on me that comics were not an intrinsically limited medium. There was a tremendous amount of things you could do in comics that you couldn't do in other art forms - but no one was doing it. I figured if I'd make a try at it, I'd at least be...
...when you look at a photo or realistic drawing of a face, you see it as the face of . But when you enter the world of the , you see yourself.
Il terrore non è niente, se non è accompagnato da qualcosa di visibilmente orribile. Non riesce a entrare sotto pelle in maniera disgustosa se non c’è niente in grado di nutrire la mente.
We were always drawing comics as kids. My brother Charles made me draw comics. I was very much under his domination. He was actually a much stronger artistic visionary than I was.
I don't like 'graphic novel.' It's a word that publishers created for the bourgeois to read comics without feeling bad. Comics is just a way of narrating - it's just a media type.
Oh yeah, I grew up with comics. You know, I always like to describe myself as a 'narrative junkie.' I love novels, I love comics, movies, TV. If it's a good story, I'm hooked.
One thing I think is that comics are really good at expressing emotion. I think there's a way that comics characters can be drawn not-realistically, but the emotional reality is still very sincere. So you can have these exaggerations that express inn...
I think the problems with comedians that are political, and there are some brilliant ones, are the ones that offer no solutions. Not that there's a moral obligation for a comic to fix things, but I like to see a comic that's upset about something and...
But I couldn't draw as fast as she requested. Thus, I tried to create the worst abomination of a comic that I could, so as to make her not want comics anymore. That abomination, my friends, was Happy Noodle Boy.
There seems to be a peculiar kind of clamor for comics. And I'm not sure how much a part of reality that is. I think partly it's based on some idea that comics are what everybody wants to read - and I don't think that's the case.
I have this certain vision of the way I want my comics to look; this sort of photographic realism, but with a certain abstraction that comics can give. It's kind of a fine line.
I've never been to Comic-Con, but I'm certainly aware from this side of the Atlantic that it's a very important part of film marketing now, even when the films are not directly linked to a comic.
I actually come from comics, and I'm big on comics. I was reading 'Walking Dead' from the beginning. Then just being on the show, I was really lucky to work on episodes like 'Pretty Much Dead Already' and 'Clear.' I worked a lot on episodes that I di...
Have you never seen a movie? Read a comic book? That's always how it starts - just a little temptation, just a little taste of evil, and then BAM, your light saber turns red and you're breathing through a big black mask and slicing off your son's han...
I had amazing intellectual privilege as a kid. My mom taught me to read when I was two or three. When I was five, I read and wrote well enough to do my nine-year older brother's homework in exchange for chocolate or cigarettes. By the time I was 10, ...
I was always most interested in drawing - most of my childhood drawings are black-and-white line work. And when I kind of abandoned comics, through college and art school, I was doing a lot of painting. But once I started doing comics again, everythi...
I thought about how all that mattered, in all entirety, and all I wanted, and all I could see anything being worth anything for, was being a writer.
Art, as I see it, is any human activity which doesn’t grow out of either of our species’ two basic instincts: survival and reproduction.
When I was very young, I didn't really write my own material. I just memorized other peoples' jokes. Established comics, like Stanley Myron Handelman and people like that. And then, for every comic, you develop your own style after a while.
