I think 'Comic Book: The Movie' is the apex of my career in terms of making a personal statement that has significance to me and resonates with biographical detail about not only my career, but all the people that I've worked with in my career. All o...
I've been writing all these books that have been largely autobiographical and yet, really, they don't tell you anything about me. I just use my life story as a kind of device on which to hang comic observations. It's not my interest or instinct to te...
It's just a great, legendary comic book hero and it's one that has never been kind of been brought back to life after Lynda Carter. I mean, it's a reinvention. When Tim Burton reinvented Batman after Adam West, and when Donner reinvented Superman aft...
What I really want to do is create great roles for women. And I'm not talking Nicholas Sparks romance. I think women's roles have gotten ghettoized in these sort of places... I'm thinking women in action, comic books, or like the Tony Soprano of wome...
I was an enormous fan of Dan Slott's run, and John Byrne's run was a big deal for me. I found Slott's version of 'She-Hulk' first, and then I went back and looked up some of the older stuff because I liked it so much. And it was so good. It was perfe...
When I was a kid... if I couldn't get a ride to the comic book store, I would walk a mile and a half each way to get the latest issues of 'Batman' and 'Spider-Man' and 'X-Men.' I could not choose one over the other.
It's just that... working on 'Green Lantern,' I saw how difficult it is to make that concept palatable, and how confused it all can be when you don't really know exactly where you're going with it or you don't really know how to access that world pro...
The way we work at Pixar is we write the script, but then we quickly move on into story reel, which is basically like a comic-book version of the film. And then we do our own dialogue and music and sound effects, all in an effort to be able to basica...
One of the things when you're drawing a comic book is that you're spending four or five times as long to draw it as the writer takes to write it. In my career I've had to spend a week drawing something that a writer has thrown out in an hour. And the...
I've been trying to make this argument that digital comics and print comics are both art, but there are subtle differences.
Nothing is harder to create than brilliant comic ballets, except maybe brilliant full-evening comic ballets.
A nice, easy place for freedom of speech to be eroded is comics, because comics are a natural target whenever an election comes up.
Tintin comics evoke Bermuda, where my parents doled out comics for good behavior and my grandmother taught me how to shuffle cards.
My publisher's been shipping me to comic-cons, and it seems that my readership overlaps perfectly with the comic-con crowd.
I'm a joke comic. I tell jokes. I like writing a joke, and I like when a joke works, and I like other comics who tell jokes.
Years have passed since I have set foot in a comedy club. If the comic is doing badly it's painful, and if the comic is doing brilliantly, it's extremely painful.
Comics were going down for the second time and here, all of a sudden, came this thing and for the next fifteen years, romance comics were about the top sellers in the field; they outsold everything.
I quit comics because I got completely sick of it. I was drawing comics all the time and didn't have the time or energy to do anything else. That got to me in the end.
Whether I'm doing music or I'm walking down the street or I'm in a record store buying a record or I walk into a comic store and I'm buying comics or having a drink with my friends, it's the same me.
I wasn't terribly aware of Catwoman. She was a DC comics character and as a kid, I wasn't terribly fond of the DC comics characters. I was a Marvel boy.
From the age of four, I was a huge comic fan and still am. When Lost in Space came along it was like being in a huge comic so we jumped at the chance of being part of that project and it proved to be a good choice.
