As the snow melts the filth shows through.
It always pisses me off when I’m calling in to some Morning Zoo radio show to promote God-only-knows what—probably this book, so get ready, I’m comin’—when the DJ actually tries to convince me that there are as many female comics as male on...
Jerry Langford: Alright, look pal, I gotta tell you... this is a crazy business, but it's not unlike any other business. There are ground rules, and you don't just walk on to a network show without experience. Now I know it's an old, hackneyed expres...
All hope abandon, ye who enter here.
Was that tragedy? Or was that comedy? Was there really any difference?
I think I have always tried to connect my comedy to my art.
Comedy too can sometimes discern what is right.
Comedy is tragedy that happens to other people.
The best comedy audiences in the country and this is tried and true, I'm not just saying it, in my opinion are Boston, Atlanta, and Chicago.
The best comedy, I feel, comes in a drama because it balances each other out.
There is a strong ethical dimension to the best comedy. Not only does it avoid reinforcing prejudices, it actively challenges them.
Comedy is taken care of by a free market.
Only in America could you get away with the kind of comedy I did.
I really don't take any interest at all in contemporary comedy.
I've played farce on the stage, but I have never played any sort of comedy on the screen.
I came to Hollywood originally writing comedy and writing satire.
I'm a comedian, and my comedy has never endorsed violence towards gays.
My theory is that comedy comes from little people.
My paintings and comedy have a lot in common. They are both improvisations based on observation.
Drama comes more naturally to me. It's the comedy you really have to delve into.
Comedy has always been more challenging for me than drama.
