I guess my silly dream is to be on 'Game of Thrones.' I don't think that I can do that, but that's my silly dream. And there are a lot of American comedies, particularly on NBC, that I would, I would love to do.
It just seems like the most successful, iconic love stories are not so easy or escapist. I think the ones that stay with us and resonate are full of conflict, discord and misunderstandings 'cause that's what makes drama happen or tension even if it's...
If you do something that is not gags and punchlines and is character-based, where there are no jokes as such, then it all has to come from a place of truth, and I love that - I love nothing more than getting very serious about my comedy.
I feel so fortunate to have been able to work so much, particularly in the horror-thriller genre, but I would love to be able to do something perhaps a little more dramatic or even a romantic comedy.
I love Valentine's Day! I love it, I love it, I love it. I like having doors opened for me. My favorite romantic comedy is 'When Harry Met Sally.'
I've had a wonderful time in 'Foyle's War' and I don't mind being typecast. But I'm not prim. I'm chaotic, happy, and desperate to have some laughs. I'd love to do a comedy next, or something modern.
I liked doing comedies, but as I got older I was better suited to do Westerns. Because I think it becomes unattractive for an older fellow trying to look young, falling in love with attractive girls in those kinds of situations.
For me, it's nice to have a character who can never find love and have that be the running theme, but I think when you open the door to a story line about relationships, you open the door to another realm of comedy.
I first fell in love with comedy when I'd visit my granny as a kid. Trips to her house meant staying up late drinking Coca-Cola and watching 'Saturday Night Live'.
Comedy isn't necessarily all dialogue. Think of Buster Keaton: the poker face and all this chaos going on all around him. Sometimes it's a question of timing, of the proper rhythm.
For me, comedy should have a certain amount of joy in it. It should be about attacking the powerful - the politicians, the Trumps, the blowhards - going after them. We shouldn't be attacking the vulnerable.
I thought people would ask me really personal questions because I've shown more of myself, but it's a comedy, and people understand that it's a game we play.
Comedy club audiences pay up to $25 per person and another fistful of cash to cover a two-drink minimum, so when they don't like something, they let you know - with silence.
Even in the depths of dreadful situations, there's usually something rather comic, or something you can laugh about afterwards, at least. So, I do look for the comedy in those things.
'Horrible Bosses' is just blatant, outright fun. I've read some of what the critics have said, and it's incredible how mean critics can be about comedies... It's so ridiculous.
The only way physical comedy works is if you don't see it coming. And the harder the fall, the funnier it is. You have to really take some shots, and I've walked away with some bumps and bruises.
My real name is Scott Thompson. I could have gone by that name, but when I started doing comedy I thought I needed to go by something that has a little more of a hook.
Comedy comes from a place of hurt. Charlie Chaplin was starving and broke in London, and that's where he got his character 'the tramp' from. It's a bad situation that he transformed into comedic one.
I think people are purists about what sketch comedy should be, and I think sometimes having too much fun can be a little annoying to some people.
Everyone in comedy thinks if you go to the U.S. you become a global star but, unfortunately, I've always been a bit anti-American - so I never did.
I got into musical comedy because of Shakespeare, not because of singing. They needed someone to understudy Richard Burton. I was also going to musical auditions because the agent I had insisted I go to them.
